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1. Gastronomic Algorithms: Artistic and Sensory Exploration of Alain Passard’s Michelin Plates in (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV1RT9swELZgvGwPG7BJ68aQEZtgmkwbx3ZthJAqRDtNAsEYG3uKbMdZM7VN1ZSH_Qz-Mec4AaoJTXuLkrMTx2f7u_PnO4TeZx3LdaQpYcpyMFC0IzJVlmgmoIBMaafawf8hv_yk519l_2gJbTdnYbzjYe_3MNiH9c9rS8DITC2jFbBPYq_GJ5dnd9Ot4KrmcTACtspVw24XtD1yxSTRCSAiwRbWneVxPl90dvw1FVfrS_8FOm2-rCJX7wVySXAzLLCum_CN_2jEKnpeI03cCw_W0JKbrKO1eiyXeLcOOP1xHT37npfXQbR8iW4GuvT-cX9cGfdGv4pZPh-Oy_2qJh_VGetJii_A_C1mf3Dg8FXdi4sM5HU-wWeAyEHzdkocmKb-1siDWgxXgDixT83sZr7AwfBwkENDplMHL7D52KexLg7aw0PsXcR40DstX6HL_vG3o8-kTtxALCyKcwJ6ETHNmOUOEETKYmMo1TTKqHPKMN1lBqxIJp0QPE25YV1nUpbB9CGZUZmIXyMca8pj0TXccMUyC7BCMiesFdapKEtlC31q-jOxdThzn1VjlFRmjaDJw95voQ930tMQxuMRuS1QjaQex-UjMuSB4tzLhg5OLmAN6SjPzo2ERwO0hTYa1boX9vu7YOoK1Xnzn9W9RU-p59VElFC6gZ7MZ9fuXUhlsem5CnKzGh-3JEYNAg

   by Spratt, Emily L.

   Leonardo (Oxford), Volume 54, Issue 6, pp. 631 - 637

   Journal Article : Full Text Online

2. Giuseppe Arcimboldo: maniera „widziana jako” Giuseppe Arcimboldo: maniera (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2BQSTNINk00TDTSNbFMNgV2UBJTdS1SLJN1E03MgBosUowMwDP44RZekUaBQRZuzkhXfYHWhEGOB4YEnL6FYapBoolpirGRpSGw6k-xMEhJTEyxTDE3MUlNMzEBN42AvXKkzlQWZPrM0AR8PSvoCC5dCyPQVeywQ_mNoLWHmyADP7TZp-AIsU6IgSklVZiBKwB2j0ClCEOOTYade2ZpcWpBQSpQXXJmLuhC53wb_Qw7KwXQIRWpRYkKjxrmlWemVAGjNFEhKzE7_1HDXAVy9IkyeLq5hjh76ILcGl8AOXEiHnQGNFgAGDLx0JCJJxQyxhIMCsaJRqbGZuZJpkmmliZpycDK2cIk1Sw52Sw51dIwLcVCksGJcoukqGGINAMXZKIGNMAhw8BSUlSaKgu5oUEOHLcA_lqz2Q

   by Iwona M. Malec

   The Polish Journal Of Aesthetics, Volume 17/18, Issue 2/2009–1/2010, pp. 97 - 110

   Journal Article : Full Text Online

3. Giuseppe Arcimboldo笔下的16世纪欧洲人物肖像

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2BQSTNINk00TDTSNbFMNgV2UBJTdS1SLJN1E03MgBosUowMwDP44RZekUaBQRZuztDrUkF7YcBrmUH982JoVsGyywG0XxW0vrESdsOUfSZ0Yh00vmRg6BLq7RoP7PuGqJUBYxaJD4x0WA5UUzV2ozS9AMWAKQa0_5aENAM3FCgAZANTDpAEph0gSVTqcc8Ehk5BQaq2Y1FyZi7oaul8VVdzVUdnVUsTVVcTVScLVQsnkIiloypoShEqZmkGEnNyVHV0VHU1Ayl3NAcxnICyRmA1jiAEVGNhqepoqeoKNMYIrMtU1cJY1QJlkSGKmZZABc4go4BcC3OweqBb4MOKULMtXMG2AVU5IQ9nQHZHQ8te0KGowN6jEVKyM0IuW82RamnojnLUo7KLs8ozjMCdWMj-b2D5BCr6Qk0DkHrApoZmSC1SQ9A1a0gnFJpYmIHaSIgiCdjgNUJsLTa0AE08IyaujUENOjMTuLwp6AQ8S0vIHDvUO-DtYHlpiXnpkGPIwC2XEEEGfmiXQ8EREstCDExVGSIMtjYZdrBIVkBEso1-ht3zNVOe7Oh-PqvF0OzJjmnPd616tmb5sy2bnuza9bxz5YumaU-b-0UZVN1cQ5w9dKFWxkMTVXE8SuAYSzAoGCcamQJdm2SaZGppkpYMbLhZmKSaJSebJadaGqalWEgyyOE3RIqQAmkGLhAbMmIlw8BSUlSaKgu5dUMOHC0AFc9ALA

   by 于涛

   世界文化, Issue 2, pp. 27 - 28

   Journal Article : Full Text Online

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