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    1. Typography (and the Web) - Bitstreams: The Digital Collections Blog

      Typography (and the Web) - Bitstreams: The Digital Collections Blog Primary Menu Skip to content Subscribe Projects , (...)

    2. Web Accessibility at Duke Libraries and Beyond - a Quick Start Guide - Bitstreams: The Digital Colle

      Web Accessibility at Duke Libraries and Beyond - a Quick Start Guide - Bitstreams: The Digital Collections Blog Primary Menu Skip to (...)

    3. Front and Center - Summer 203, Vol 9, No 2

      These guides will be available on the web in July 2003 at http://scriptorium.lib.duke.edu/hartman/ .

    4. Women at the Center - Issue 2, Fall 2001

      Whether self­published or issued by small presses, this artistic form unites the ancient crafts of paper­making, typography, and (...)

    5. Front and Center - Summer 2014, Vol 20, No 1

      The rapidly growing company went on to pioneer techniques in color, typography, the use of photography, and celebrity endorsements, and (...)

    6. Front and Center - Winter 2013, Vol 19, No 2

      He sharply criticizes the use of poor paper and ink, typography that does not attract attention or is difficult to read, careless use (...)

    7. Repository Mega-Migration Update - Bitstreams: The Digital Collections Blog

      Duke Digital Repository Migration Repository Validation Post navigation Previous Post The Chronicle Digital Collection (1905-1989) Is Complete! (...)

    8. A Refreshing New Look for Our Library Website - Bitstreams: The Digital Collections Blog

      Google Web Fonts are in, Times, Arial, Verdana and company are out.  

    9. Lessons Learned from the Duke Chapel Recordings Project - Bitstreams: The Digital Collections Blog

      dukechapel Post navigation Previous Post Typography (and the Web) Next Post What is a Repository?

    10. Gedney Book Shortlisted for Photobook of the Year - Duke University Libraries Blogs

      The  ten books  that were named to the short list represent, according to judge Vince Aletti, “a particular attention to the book as an object, (...)

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