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    1. Adopt-a-Book Program | Duke University Libraries

      Fowler 4/17/2014 Lauren Winner Poems on various subjects, religious and moral by Phillis Wheatley [DUKE002363589] 4/11/2014 Deborah Jakubs and (...)

    2. Libraries versus Salinger? - Scholarly Communications @ Duke

      Salinger’s “Catcher in the Rye.”  I wrote several times about the case last month, and had a small role in rounding up the (...)

    3. Can a "batty" ruling effect needed change? - Scholarly Communications @ Duke

      Colting is trying to ride the continuing popularity (which I personally have never understood) of “Catcher in the Rye” by (...)

    4. Adopt-a-Book Program Preserves Library Treasures - Duke University Libraries Magazine

      To learn more, visit our Adopt-a-Book Program website . The Catcher in the Rye (1951) By J. D. Salinger This first edition of (...)

    5. A book you will never read - Scholarly Communications @ Duke

      One of the books that is frequently challenged, especially in schools, and just as frequently defended on free speech grounds, is J.D. (...)

    6. Catching up with the First Amendment - Scholarly Communications @ Duke

      C” (a clear allusion to Salinger’s Holden Caulfield, now grown old) and Salinger himself to create a work of “meta-commentary” on the (...)

    7. Seeking a boundary - Scholarly Communications @ Duke

      We have seen the “derivative works” right expand a great deal over the years, so that today even characters in a work of fiction are often (...)

    8. A sequel on Salinger - Scholarly Communications @ Duke

      The result of this omission is that she never tries, in her analysis of the alleged similarities between “Catcher in the Rye” (...)

    9. The Great American Read on PBS - Duke University Libraries Blogs

      Read their brief description . Coming of Age The Catcher in the Rye by J.D. Salinger.  Read their brief description .

    10. On the fair use rollarcoaster - Scholarly Communications @ Duke

      I have criticized Judge Batts before for her willingness to suppress cultural productions, including the sequel to Catcher in the (...)

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