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    1. Front and Center - Summer 2011, Vol 17, No 1

      Not Just Mad Men highlights 1960s ad agency culture. The Power of Refined Beauty depicts photo portraits of society women taken by well (...)

    2. Women at the Center - Issue 24, Fall 2013

      WBAI is a pro- gressive station which has been referred to as “an anarchist’s circus” and has long included a commitment to (...)

    3. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/hiller_nadell_prize_submi (...)

      Belli imagines a country in which the “Party of the Erotic Left” takes power and sends men home, leaving the public sphere for women (...)

    4. After Spicer

      A ballet for us confined within me. #23 At the Durham Filling Station It’s pie by the slice trees bythesun hypochondriac (...)

    5. https://library.duke.edu/sites/default/files/dul/users/arianne.hartsellgundy/roadkill_club_fin (...)

      Smell the sun! I’m mad with power! Another riff. I refuse to let my death teach anyone anything.

    6. Preservation Architecture: Phase 2 – Moving Forward with Duke Digital Repository - Bitstreams: The D

      We formally consider these baseline threats to include: Natural disasters including accidents at our local nuclear power (...)

    7. Bitstreams: The Digital Collections Blog - Page 23 of 36 - Notes from the Duke University Libraries

      We formally consider these baseline threats to include: Natural disasters including accidents at our local nuclear power (...)

    8. Radio (1922-1956) - Ad*Access Research Guide - LibGuides at Duke University

      The 1920s and '30s saw an increased emphasis on the improvement of radio technology, moving away from the head sets and wet/dry battery (...)

    9. Book Review: Sons of Witchita

      The October 2014 issue of Harper’s magazine features an article, PBS Self-Destructs, that begins with a protest at WGBH in Boston, to force the (...)

    10. “The Poetic Inflections of a Voice Addressing a Tribe of Men Besieged by Beasts”: Radio Haiti’s Cult

      During this time, station manager Richard Brisson famously raised some money by using his car as a taxi.

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