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    1. Genre Sources - ENGLISH 290: American Hauntings - LibGuides at Duke University

      Genre Sources - ENGLISH 290: American Hauntings - LibGuides at Duke University Skip to Main Content Home LibGuides ENGLISH 290: (...)

    2. Film & Television - Chinese Studies - LibGuides at Duke University

      Internet resources Guide on the study of Media from MCLC (Modern Chinese Literature and Culture) Bibliographies on the study of films by (...)

    3. Books and Reference Sources - Film & Video - LibGuides at Duke University

      Costanzo Publication Date: 2014-01-28 Genre Matters by Garin Dowd (Editor); Jeremy Strong (Editor); Lesley Stevenson (...)

    4. Book and Film Reviews - ENGLISH 290: American Hauntings - LibGuides at Duke University

      Book and Film Reviews - ENGLISH 290: American Hauntings - LibGuides at Duke University Skip to Main Content Home LibGuides ENGLISH 290: (...)

    5. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/votava_nadellprize_app.pdf

      I would be ecstatic to obtain a copy of Fer- de-Lance not only due to the genre, but also its incorporation of herpetology.

    6. Content Warning Group Position Paper

      Are there materials in RL that should have description explicitly labeled as content warnings? b. How do genre/form terms, subject (...)

    7. Women at the Center - Issue 9, Spring 2006

      Prescriptive litera- ture has helped to define women's roles in sev- enteenth- through twenty-first-century Amer- ica. This genre of (...)

    8. Among Friends - Winter 2011

      —Judith Ruderman, G’76, Visiting Professor, English Department How to Live, or A Life of Montaigne Sarah Bakewell 2010, Other Press Self-help (...)

    9. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/hiller_nadell_prize_submi (...)

      This is a haunting, elegiac, genre-crossing work of poetry and prose by the Mexican author Sara Uribe.

    10. New Orleans’ Nourishing Networks: Foodways and Municipal Markets in the Nineteenth Century Global So

      Above all, her work demands that we reconsider the stereotype of the genteel Southern woman perpetuated in postbellum American literature (...)

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