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    1. Boxing Day: The Entire Lab Edition - Preservation Underground

      We are packing up the entire lab and moving some of it to temporary space, some will go into storage. If all goes well, we will be back (...)

    2. 1901 Project: A Lab With A View (Or Not) - Preservation Underground

      It also allows for a more flexible space as you can use an empty bench behind you as a temporary landing space if you need to. The (...)

    3. Faculty | Duke Divinity School Library

      Generally, Fair Use allows for the reproduction of 10-15% of a copyrighted work. See this  Checklist for fair use analysis  for further (...)

    4. The Goodson Blogson

      (However, check with your employer before using your Law School accounts for paid work – many employers prefer that summer associates (...)

    5. GSU and Sony - Scholarly Communications @ Duke

      But work-by-work analysis is so squarely within the law that their complaints about it have been mostly subtextual.

    6. The Earthquakes in Chile: A Visit on Day 100 Duke's University Librarian Reports on the Damage to Ch

      A huge earthquake had killed or injured many people, crumpled buildings, closed the airport, cut off highways, disrupted the work of (...)

    7. Using Gradescope 1.3 with Sakai as an Instructor - Duke Learning Innovation & Lifetime Education

      If the solutions there don’t work or the problem you’re trying to solve isn’t listed, please contact help@gradescope.com .

    8. Jews in Germany - Jewish Studies - LibGuides at Duke University

      An extensive permanent exhibition, a series of temporary special exhibitions, events, and a range of publications document and (...)

    9. One more topic from eIFl: Fair Use - Scholarly Communications @ Duke

      There is no question that in the process of making a digital ILL, temporary or ephemeral copies are made. The question is whether these (...)

    10. Revisiting Section 108 - Scholarly Communications @ Duke

      The new proposal opts instead to make distinctions based on whether the work was ever “disseminated to the public” by the copyright owner.

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