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    1. Preservation Week 2025: A Day in the Life, Thursday - Preservation Underground

      The text on the manuscript might provide more information about the provenance or production of this book. I used linen thread to (...)

    2. Prepping Papyri - Preservation Underground

      This housing solution allows the extremely fragile fragments to be safely and easily handled in the reading room, but it does pose some (...)

    3. FY2021: By The Numbers - Preservation Underground

      FY2021 Statistics 409 Book repairs 503 Pamphlet bindings 0 Treatments: Other (objects, textiles, etc.) 410  Flat Paper repairs 1,293 Protective (...)

    4. 'From Caricature to Comic Strip' - Preservation Underground

      The online images from the exhibit were made in the Digital Production Center . Related posts: Mixed Blood: Conservation Work and (...)

    5. Finding Books - Women and Education - LibGuides at Duke University

      Edited by Helen S. Astin.  Lexington, Mass.: Lexington Books, c1976. Southern women at the seven sister colleges : feminist values and (...)

    6. Finding Books - Women and Education - LibGuides at Duke University

      Edited by Helen S. Astin.  Lexington, Mass.: Lexington Books, c1976. Southern women at the seven sister colleges : feminist values and (...)

    7. 1940s & 1950s Chronicles Are Live! - Bitstreams: The Digital Collections Blog

      May 20, 2016 Jessica Serrao The Digital Projects and Production Services is excited to announce that the 1940s and 1950s Chronicle are (...)

    8. 1091 Project: Digitization and Conservation - Preservation Underground

      The staff in the Digital Production Center (DPC) is part of the Digital Scholarship and Production Services Department headed (...)

    9. 10 year Challenge: The Lab Edition - Preservation Underground

      We shared the hallway with the Preservation Officer, the Bindery Unit, and the Digital Production Center. Conservation had two rooms (...)

    10. Water, Water Everywhere - Preservation Underground

      Our colleagues in the Digital Production Center helped with the initial response.

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