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    1. Women at the Center - Issue 6, Summer 2004

      From an excep- tional group of applicants, this year’s grants have been awarded to the following: Mary Anne Beecher, Assistant Professor, (...)

    2. Among Friends - Spring 2006 - Vol 6, Num 2

      The reader follows gogol through his undergraduate days at Yale and graduate school in architecture at Columbia to a career in new York (...)

    3. Front and Center - Fall 2000, Vol 7, No 2

      Archivists Lisa about them posted in Duke's online ry, commercial art, architecture, pop­ Stark and Lynn Pritcher will carry out (...)

    4. Front and Center | Duke University Libraries

      Wendy Woloson Diversity Defines New Collections Newly Available Collections "Faux Fur & Fashion," by Katarzyn Stempniak Story + Project (...)

    5. Front and Center - Summer 2013, Vol 19, No 1

      The Archives documents many diverse topics, including the creative, technological, financial and legislative aspects of the outdoor advertising (...)

    6. Front and Center - Summer 2014, Vol 20, No 1

      . • Craig Lee (University of Delaware) will research “Letter Building: Signage, Supergraphics, and the Rise of Semiotic Structure in Modern (...)

    7. Front and Center - Spring 1999, Vol 6, No 1

      Don's background in art and architecture has been very helpful in working with collections relating to billboard art and constru ction.

    8. Guidelines for Description of Slavery and Enslaved People in Special

      . ■ RBMS Controlled Vocabulary for Rare Materials Cataloging: https://id.loc.gov/vocabulary/rbmscv.html ● Works: Content of work: Prejudicial (...)

    9. Hartman Center Travel Grant Previous Recipients | Duke University Libraries

      Mark Tadejewski , Professor of Marketing, Durham University "Jean Kilbourne: Recalling the Contributions of a Feminist Critic of (...)

    10. How We Describe - Rubenstein Library Technical Services Style Guide

      Science fiction; Comic books) o For access to artistic and object specific genre and form headings (other than book bindings), prefer the Getty (...)

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