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    1. Women at the Center - Issue 10, Fall 2006

      Could you explain your theory of this evolu­ tion of the women's movement?

    2. Women at the Center - Issue 11, Spring 2007

      Jason Demers, Programme in English, York University, Canada, for work on his disserta­ tion on Kathy Acker and French Post­ Structuralist (...)

    3. Duke University Press Records | Duke University Libraries

      It is best known for its publications in the broad and interdisciplinary area of theory and history of cultural production, and it is (...)

    4. Front and Center - Summer 203, Vol 9, No 2

      It also profiles influential men and women in the field; provides overviews of advertising in France, Argentina, and other countries; covers (...)

    5. Front and Center - Winter 2013, Vol 19, No 2

      Through her presentation she put forth the theory that advertise- ments were mere instruments of ideology whereas poems were (...)

    6. Lisa Unger Baskin Collection: Highlights | Duke University Libraries

      More recent materials within the collection include Family Limitation (for private circulation, 1914) by Margaret Sanger, who popularized the (...)

    7. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/votava_nadellprize_app.pdf

      Every time I read a story, I identify with a different theory a little more or a little less. I view this book as (...)

    8. https://library.duke.edu/sites/default/files/2023-04/U%20Xie_NadellPrize.pdf

      The line between linguistics and the philosophy of language is exceedingly blurry. Austin’s theory of speech acts, first presented in (...)

    9. Success of the Second Sex: Duke University’s Demonstrated Efforts to Empower Women

      Women at the Center So women, in a gradually inclusive sense, gained space in syllabi, but the conversations informed by feminist (...)

    10. https://library.duke.edu/sites/default/files/dul/users/arianne.hartsellgundy/halloran_blonde_0 (...)

      I’ll finally be able to wear a messy bun that looks artful and windswept and accidental and delicately crafted all at once. I have this (...)

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