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    1. https://sites.fuqua.duke.edu/fordlibrary/page/29/

      I am Malala : the girl who stood up for education and was shot by the Taliban by Malala Yousafzai Schoolgirl living in a remote Pakistani (...)

    2. Outliving Outbreaks: Exploring Early Efforts to Fight Epidemics - The Devil's Tale

      Fortunately, Snow was right about the source of cholera. His data was convincing enough to have the water pump at the center of the (...)

    3. April 2015 | Issue 358 | Duke University Medical Center Library Online

      You can access SciENcv through My NCBI •    My NCBI home page – select the link on the bottom on the right •    My Bibliography - (...)

    4. The Devil's Tale - Page 92 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      —Liberty or Death!—Join or Die!” While changes in newspaper titles and places of publication are common, the significance of this one (...)

    5. October 2022 | Issue 403 | Duke University Medical Center Library Online

      Nidhish :   The field that I am pursuing right now is not something that I always wanted to pursue.

    6. October 2022 | Issue 403 | Duke University Medical Center Library Online

      Nidhish :   The field that I am pursuing right now is not something that I always wanted to pursue.

    7. Preservation Underground - Page 29 of 59 - Duke University Libraries Preservation

      It was really difficult to get the sizing just right so it slipped onto the tube without being too loose.

    8. 2008 February

      Made to Stick: Why some ideas survive and others die . Random House, 2007. Several weeks ago, a staff member at Fuqua sent an email to (...)

    9. The Saga of the Nazi Newsreel - The Devil's Tale

      Leni Riefenstahl’s “Der Sieg Des Glaubens” (left) reveals the cameraman who shot our Nuremberg Rally newsreel (right). Riefenstahl’s (...)

    10. Bitstreams: The Digital Collections Blog - Page 25 of 36 - Notes from the Duke University Libraries

      The fans, rightly or wrongly, claim these are the versions of the films they grew up with, and they have a right to see them, (...)

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