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    1. Public art and fair use - Scholarly Communications @ Duke

      The Ninth Circuit panel found that Green Day’s use of the image, which was in a context created by other posters and graffiti on the wall and (...)

    2. Lilly Collection Spotlight: a Horror-ful Halloween - Duke University Libraries Blogs

      These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and (...)

    3. Greetings from Selanik/Salonica/Thessaloniki! - Duke University Libraries Blogs

      The influential Ottoman Bank (seen on the right) was built in 1903 by the Turkish architects Barouh and Amar with an eye to synthesizing local (...)

    4. Alerts! - Duke University Libraries Blogs

      E-Journals available at Duke through Project MUSE & now online: Ploughshares , a journal of new writing, is guest-edited serially by prominent (...)

    5. The Politics of Panda Love in Eve Kosofsky Sedgwick’s Papers - The Devil's Tale

      The card must have delighted Eve, both in its imagery and in its three dimensionality, given her interest in the aesthetics of texture (...)

    6. Rubenstein Library 2016-2017 Travel Grant Award Winners - The Devil's Tale

      Margaret Galvan , Ph.D. candidate, English, The Graduate Center, CUNY, “Burgeoning zine aesthetics in the 1980 s through the censored (...)

    7. Meet Lilly's Class of 2019-20: Toni - Duke University Libraries Blogs

      A: There was a book called The Aesthetics of Ugliness that I remember seeing my first year.

    8. What to Read this Month: October 2019 - Duke University Libraries Blogs

      Genres age, and the book introduces the idea of the time-crunch; an encounter between an embodied, represented age and a genre-age, which is, (...)

    9. Announcing our 2019-2020 Travel Grant Recipients - The Devil's Tale

      Harkins T’73 Travel Grants for Lesbian, Gay, Bisexual, and Transgender History: Jonathan Coleman , Independent Researcher: Anywhere, Together: A (...)

    10. https://sites.fuqua.duke.edu/fordlibrary/page/24/

      In each case, Vaynerchuk delivers a color commentary about what makes it good or bad, criticizing aesthetics, images, links, text, (...)

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