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    1. Sushi Law, and What It Teaches Us

      But when restaurateur Jay Oh noticed leftover nuggets of rice on Martin’s plate, he argued that Martin should be charged the higher price for (...)

    2. A Seventy Percent Solution? - Scholarly Communications @ Duke

      Lanchester, at least, is aware of the balance that copyright law is supposed to strike between incentives for creators and the public interest (...)

    3. The Beauty of Auto Crop - Bitstreams: The Digital Collections Blog

      Because Capture One utilizes raw files, the auto crops are non-destructive edits.

    4. Preserving Scholarship in a Digital World - Duke University Libraries Magazine

      His mission: to make sure Duke’s vast and varied digital output—from course Web sites and dissertations to wikis and raw scientific (...)

    5. ArcLight at the End of the Tunnel - Bitstreams: The Digital Collections Blog

      We need a solution that divides the data for any given finding aid into smaller payloads.

    6. Big victory for the public domain - Scholarly Communications @ Duke

      Second, this ruling makes clear that the public domain, that “commons” of material that is free for all to use and is the raw material (...)

    7. Workshop: Delving for Memories - Duke University Libraries Blogs

      Duke University Libraries is the exclusive home for the project archives making raw footage available to students, researchers and the (...)

    8. Bitstreams: The Digital Collections Blog - Page 28 of 36 - Notes from the Duke University Libraries

      By using the Hasselblad RAW file format and capturing in 16 bit RGB we are able to make adjustments to the raw file without (...)

    9. The Memory Project at Duke: Film Screenings and Events Coming this October - Duke University Librari

      During that trip, he selected Duke’s Rubenstein Rare Book & Manuscript Library as an appropriate home for the raw footage of the (...)

    10. Collecting for Global Diversity, Part 4 - Duke University Libraries Blogs

      Gamble’s own handwritten and typed captions, which were digitized alongside these fragile negatives, were transformed into raw text (...)

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