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    1. The Devil's Tale - Page 30 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Although much of his private life remains a mystery, he left behind the most queer-positive work he could in a genre that is only now (...)

    2. The Devil's Tale - Page 51 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Jennie Chambers was an author and amateur artist who went on to write for Harper’s Magazine , publishing “What a School-Girl Saw of (...)

    3. Signal Boost: Tales From Collections Services | Page 7

      Literal translation: After his hair went white, he went to school. Hidden meaning: You can’t teach an old dog new tricks.

    4. The Devil's Tale - Page 35 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      In November of 1900, he managed to escape to a private clinic, whose doctors declared him able to function in society.

    5. Scope of this Guide: European Collections and Imprint - European Research on Asia (Japan and Korea)

      El Catálogo Colectivo del Patrimonio Bibliográfico (CCPB)  includes the description and location of books and other bibliographic collections, (...)

    6. The Devil's Tale - Page 53 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Foster papers, 1801-1919., bulk 1840-1890. The Graduate School Newsletter [serial], 1990-1999. Logbook for ships Immortalité and Flying (...)

    7. The Devil's Tale - Page 117 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscrip

      He . . . took me into the only remaining private box. Mephistopheles was just transforming Faust into a young man as I entered the box, (...)

    8. Help Identify the Antioquia 32! - Duke University Libraries Blogs

      So the photo was likely taken during that timeframe, perhaps at one of the local private clubs. SPECIAL THANKS to Tom Williford, (...)

    9. The Devil's Tale - Page 97 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      In examining the collection, it was personally difficult for me to see so many personal family tragedies unfold in what seemed like a short (...)

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