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    1. Rights! Camera! Action!: The Self-Made Man - The Devil's Tale

      : The Self-Made Man March 5, 2010 Amy McDonald Date: Tuesday, 16 March 2010 Time: 7:00 PM Location: Rare Book Room Contact Information: Patrick (...)

    2. Judges' Working Papers: Research Behind the Closed Door

      The current directory also links to collections researchers might otherwise fail to consider. For example, Samuel J. Ervin, III was a (...)

    3. ABC's of John Hope Franklin - (A) Aurelia - The Devil's Tale

      Aurelia Whittington Franklin, 1950s Aurelia Elizabeth Whittington was born in Goldsboro, North Carolina in July 1915. Her father, (...)

    4. Revisiting the Allen Building Takeover - The Devil's Tale

      A new exhibit on the Takeover, curated by Caitlin M. Johnson, Trinity ’12, is now on display on the first floor of the Allen Building.

    5. Special Collections | Duke University School of Law

      The Publications/Promotional Material includes a small book published in memory of Samuel Fox Mordecai in 1932.  The series also (...)

    6. The Extravagant Shadows Screening - The Devil's Tale

      Return to Nevèrÿon / Samuel R. Delany. New Rubenstein Library Materials Added to the Internet Archive A qualitative and quantitative (...)

    7. Summer 2024 - Divinity eReserves - LibGuides at Duke University

      Gorman ISBN: 9781598563115 Publication Date: 2009-01-01 Interpreting Paul by Luke Timothy Johnson ISBN: 9780802824660 Publication Date: (...)

    8. 19th Century Collections - Women's History Manuscript Collections at the Rubenstein Library - LibGui

      The papers of Samuel S. Downey concern his administration of the estate of John G.

    9. The Devil's Tale - Page 130 of 130 - Dispatches from the David M. Rubenstein Rare Book and Manuscrip

      Middlesworth (A.B., 1949) of Statesville, NC. 2009 Middlesworth Award winners Samuel Lee Iglesias and Martin Park Hunter Undergraduate (...)

    10. Attacking academic values - Scholarly Communications @ Duke

      You can’t simply point fingers at the publishers, when funders and authors are choosing to supply/support that system. Martin (...)

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