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    1. Front and Center - Spring/Summer 1996, Vol 3, No 1

      Together, the docu­ extensive archival records since 1959. ments and ads really illuminate the It fills about 600 feet of shelf space status of (...)

    2. https://library.duke.edu/sites/default/files/dul/users/megan.crain/O%27Leary.pdf

      New York: Harper Perennial Modern Classics, 2006. This epic – and indeed much of Garcia Marquez’s work – owes much to Borges.

    3. Front and Center - Spring 2002, Vol 8, No 1

      The Baden Collection is especially rich in early automobile ads from the U.S. and U.K. A fascinating addi­ tion to the R.C.

    4. AE Living Hebrew Bible 2.16.20

      The Complutensian Polyglot Bible, published in the 1520s in Spain, exemplifies this early modern Christian interest in the (...)

    5. Collections | Duke University Libraries

    6. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/hiller_nadell_prize_submi (...)

      Based on the brief description that follows, it seems that Kolle’s book offers “precise and modern” advice for new wives, in the realms (...)

    7. Introduction to Duke Libraries - Medieval & Renaissance Studies - LibGuides at Duke University

      Review the guide written for Writing 101: Getting Started  .This guide reviews everything you need to know to get the most out of using the (...)

    8. Contact a Librarian - Medieval & Renaissance Studies - LibGuides at Duke University

      If you are not sure whom to contact with your research services request, send an email to Heidi Madden , who serves as the Liaison to the Center (...)

    9. Aana Macallame · Duke University Library Exhibits

      Aana Macallame · Duke University Library Exhibits Skip to main content About Menu Introduction About Collector's Statement Interview with Lisa (...)

    10. Abraham Ortelius - Theatrum Orbis Terrarum · Theatre of the World · Duke University Library Exhibits

      These embellishments highlight the intersection of science and artistic expression, demonstrating how maps served both practical and aesthetic (...)

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