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    1. The Goodson Blogson

      In this epic tale, Millard pulls together the history of British imperialism, literature, science, and geography (not to mention (...)

    2. On Radio Haiti, the Drum Never Stops Beating - The Devil's Tale

      In an earlier broadcast, he referred to the Italian adage “ traduttore, traditore” – “translator, traitor” – to describe the perils and (...)

    3. The Devil's Tale - Page 44 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Your Sunday broadcasts enhanced my love of art, cinema and in particular literature, even influencing my reading and literary research. 

    4. The Devil's Tale - Page 28 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Different types of etiquette guides and domestic arts manuals have been around for centuries and are all examples of prescriptive (...)

    5. The Devil's Tale - Page 66 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Bruno Foa (1905-1999) was an Italian-born, Jewish economist, lawyer, consultant, and professor.

    6. The Devil's Tale - Page 79 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Last night’s episode featured references to Jaguar, Heinz Ketchup, All laundry detergent, Teflon and Clearasil, Italian food, (...)

    7. Collection Development Policy | Duke University School of Law

      Bar Association and Other Law Society Publications This literature is increasingly available on the internet, where it is most (...)

    8. The Devil's Tale - Page 118 of 127 - Dispatches from the David M. Rubenstein Rare Book and Manuscrip

      Italian MS 2. Hebrew MS 2. Hebrew MS 7. Hebrew MS 12.

    9. The Devil's Tale - Page 104 of 127 - Dispatches from the David M. Rubenstein Rare Book and Manuscrip

      Italian MS 2. Hebrew MS 2. Hebrew MS 7. Hebrew MS 12.

    10. Preservation Underground - Page 24 of 59 - Duke University Libraries Preservation

      Throughout the text are mounted Woodburytypes depicting London street figures in somewhat staged vignettes and in archetypal roles: (...)

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