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    1. Scholarly Communications @ Duke - Page 15 of 58 - Discussions about the changing world of scholarly

      They make no mention of the 10% standard from those guidelines, which the Judge did adopt, because the language of the Guidelines is (...)

    2. Scholarly Communications @ Duke - Page 5 of 58 - Discussions about the changing world of scholarly c

      In a comment to my original post, Mark Seeley, who is Elsevier’s General Counsel, objected to the language I used about control. (...)

    3. Duke Libraries Center for Data and Visualization Sciences -

      The focus is on a narrative discussion of risks (economic, climate, political, etc.) facing the world as a whole, but there are some (...)

    4. Bitstreams: The Digital Collections Blog - Page 32 of 36 - Notes from the Duke University Libraries

      If I could take a month to intensively learn one new thing it would be a second language, I took French for 9 years growing up in (...)

    5. The Devil's Tale - Page 52 of 130 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      For people who might not immediately understand why there’s a whole position dedicated to this task, I’d highlight just how much (...)

    6. Signal Boost: Tales From Collections Services | Page 6

      To define what is a database, we typically rely on the RDA definition of an integrating resource: A resource that is added to or changed by (...)

    7. Signal Boost: Tales From Collections Services | Page 5

      Terms in LCSH are the international standard, and libraries have agreed to use it as our common language when describing what works are (...)

    8. Bitstreams: The Digital Collections Blog - Page 9 of 36 - Notes from the Duke University Libraries D

      Web Content As one of the largest research libraries in the U.S., we have a whole lot of content on the web to consider. Our website (...)

    9. The Devil's Tale - Page 37 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      In 1799, having “contrived two wooden Tractors of nearly the same shape as the metallick, and paints to resemble them in colour,” Haygarth set (...)

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