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    1. 2009 June

      In this “symbolic economy,” creativity is commercialized and cultural worth is debated rather than determined by wealth.

    2. https://sites.fuqua.duke.edu/fordlibrary/page/65/

      The authors then discuss their model of global negotiation that includes intelligence gathering, communication and creativity. The last (...)

    3. 2008 May

      Since his death in November 2005, several new books have been published, highlighting his wisdom, creativity and humor. In A Class with (...)

    4. “The Best, the Only, and the Unexpected” lives at the Rubenstein! - The Devil's Tale

      June 9, 2025 Leah Tams Leave a comment The Hartman Center and the Rubenstein Library are pleased to announce the arrival of the records of (...)

    5. Q&A with Jodi Psoter, Librarian for Marine Sciences - Duke University Libraries Magazine

      They come here to relax or study together. We have a “creativity corner” for them with puzzles, coloring books, Sudoku, and other (...)

    6. Presses, piracy and the slumping economy - Scholarly Communications @ Duke

      Certainly the purpose of copyright law — to provide an incentive for new creativity — is left in the dust. I wonder if there is room (...)

    7. What to Read this Month: April 2019 - Duke University Libraries Blogs

      The tales contain elements of magic and stoicism, presenting characters rich in independence and creativity. Frances Khirallah Noble (...)

    8. What to Read this Month: December 2018 - Duke University Libraries Blogs

      Their plan: to spend a secluded summer month in a haze of inspiration and creativity.  But by the time their stay is over, one woman (...)

    9. "Vote for the Library" Video Contest - Duke University Libraries Blogs

      Videos will be judged according to the following criteria: creativity, persuasiveness, production qualities, and humor.

    10. New Methods for Undergraduate Outreach - The Devil's Tale

      We look forward to continuing to find new ways to engage with Duke students and helping them get to know the Rubenstein’s collections in ways (...)

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