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    1. Women at the Center - Issue 15, Spring 2009

      Mary Tasillo, independent scholar, for creation of a zine and another publica­ tion about Third Wave feminism and women’s (...)

    2. Women at the Center - Issue 3, Spring 2002

      Linda Wayne, University of Minnesota, Women’s Studies Department, for work on her dissertation Sexualities: From Second to Third Wave (...)

    3. Women at the Center - Issue 9, Spring 2006

      Liz Bly, History Department, Case Western Reserve University, Cleveland, for dissertation research on connections between second wave (...)

    4. DPC Audio/Video Digitization Standards & Equipment | Duke University Libraries

      Jump to: Audio Digitization Standards Audio Digitization Equipment Video Digitization Standards Video Digitization Equipment Audio Digitization (...)

    5. https://library.duke.edu/sites/default/files/dul/users/arianne.hartsellgundy/blackboi.pdf

      You are infatuated with the version of yourself that you see in me, because you do not realize that I’ve been carefully trained to be a mirror, (...)

    6. Trent Associates Report - Spring/Summer 2011, Vol 19, No 1

      As a re- sult, a fresh wave of sophisticated, ad- vanced theoretical medical texts was in- troduced to Europeans through (...)

    7. Women at the Center - Issue 1, Spring 2001

      Cristina Favretto, Director Janni Linda Aragon, for her dissertation Movement Into the Academy: Second Wave Feminism and Political (...)

    8. Women at the Center - Issue 30, Fall 2016

      Sharing Our Stories: The Second Wave Feminist Movement Thursday, March 30-Friday, March 31 The Veteran Feminists of America are (...)

    9. Women at the Center - Issue 26, Fall 2014

      Alix Kates Shulman is the celebrated au- thor of fourteen books, including the bestsel- ling novel Memoirs of an Ex-Prom Queen, which (...)

    10. Bingham Center Former Staff, Interns, and Volunteers | Duke University Libraries

      Helped plan the 2005 and 2007 symposia, "Sisterhood, Riot Grrrl, and the Next Wave" and "Neither Model Nor Muse" including curating (...)

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