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1. Signal Boost: Tales From Collections Services | Page 5

   https://blogs.library.duke.edu/signalboost/page/5/

   I’ve also never made a quilt for myself , so I hope to work on my b ookshelf quilt and a dragon quilt for my granddaughter .  

2. Past Lives / Present Voices - Duke University Libraries Magazine

   https://blogs.library.duke.edu/magazine/2007/10/28/past-lives-present-voices/

   Is it purgatory in which I find myself, limbless, imprisoned swept beneath a flood of fallen timbers?

3. Scholarly Communications @ Duke - Page 3 of 58 - Discussions about the changing world of scholarly c

   https://blogs.library.duke.edu/scholcomm/page/3/

   The downside, however, was that while watching a football game on Sunday, I found myself swatting ineffectively at several small (...)

4. Signal Boost: Tales From Collections Services | Page 4

   https://blogs.library.duke.edu/signalboost/page/4/

   There are times where I ask myself, “Where did all those years go at Perkins Library and Smith Warehouse?”

5. Bitstreams: The Digital Collections Blog - Page 27 of 36 - Notes from the Duke University Libraries

   https://blogs.library.duke.edu/bitstreams/page/27/

   These include, “ Old Dog Tray ” and “ The Whistler and His Dog ” from Historic American Sheet Music , as well as “ A Song for Dogs ” (...)

6. Scholarly Communications @ Duke - Page 36 of 58 - Discussions about the changing world of scholarly

   https://blogs.library.duke.edu/scholcomm/page/36/

   The recording industry, for example, often assumes that each unauthorized song download costs the industry the full price of a CD. 

7. Signal Boost: Tales From Collections Services | Page 6

   https://blogs.library.duke.edu/signalboost/page/6/

   Columbia Records refused to record the song for Billie Holiday, as did her producer at the time, John Hammond.

8. Scholarly Communications @ Duke - Page 23 of 58 - Discussions about the changing world of scholarly

   https://blogs.library.duke.edu/scholcomm/page/23/

   A number of the participants, myself included, suggest that the open access movement is the way to respond to aggressive copyright (...)

9. Scholarly Communications @ Duke - Page 20 of 58 - Discussions about the changing world of scholarly

   https://blogs.library.duke.edu/scholcomm/page/20/

   On the other hand, Gingrich’s use of the Rocky song is just to amp up the energy at rallies and deliver a general “comeback” message. 

10. The Devil's Tale - Page 8 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

    https://blogs.library.duke.edu/rubenstein/page/8/

    ‘Cause there ain’t nobody, ever whipped the T.B. blues The above lyrics come from the 1931 song, “T.B. Blues” by pioneering country (...)