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    1. Women at the Center - Issue 20, Fall 2011

      “The Deconstructive Impulse” highlights women artists’ vital feminist contributions to the development of deconstructivism in (...)

    2. Women at the Center - Issue 12, Fall 2007

      Using documentary pieces as well as art­ work—from Duke women undergraduates and women artists represented in the (...)

    3. Women at the Center - Issue 4, Winter 2003

      Particular strengths of the SBCWHC are feminism and radical feminism in the U.S., women’s prescriptive literature from the 19th and 20th (...)

    4. Women at the Center - Issue 21, Spring 2012

      (Continued on page 2) Collecting artists’ books by women is one of the ways the Bingham Center documents the lives and work of (...)

    5. Women at the Center - Issue 2, Fall 2001

      Our growing col­ lection of artists’ books by women shows how women are using the book as an art object in order to (...)

    6. Women at the Center - Issue 18, Fall 2010

      The records of this company, which grew along with the sec- ond wave feminist movement, document (Continued on page 2) The mission of (...)

    7. Women at the Center - Issue 9, Spring 2006

      Women at the Center - Issue 9, Spring 2006 Issue 9, Spring 2006 Did You Know... • The Bingham Center currently holds 230 (...)

    8. Women at the Center - Issue 17, Spring 2010

      Women at the Center - Issue 17, Spring 2010 WOMEN at the CENTER Sallie Bingham Center for Women’s History and Culture Duke (...)

    9. Women at the Center - Issue 13, Spring 2008

      A companion zine created for this event features contributions and zine ex­ cerpts from 17 zine writers and collectors Students create collages (...)

    10. Women at the Center - Issue 16, Fall 2009

      Megan will be processing archival collections, such as the Sara Ev­ ans papers, and continuing to catalog the center’s artists’ books (...)

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