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    1. Enter the Vortex - Bitstreams: The Digital Collections Blog

      Many of the films would be classified as “exploitation:” cheaply-made horror, cult or action titles that never had a chance at the (...)

    2. Copyright legislation left behind by the 109 - Scholarly Communications @ Duke

      Because its language about educational exceptions is unclear, this proposal seems to threaten legitimate educational exploitation of TV (...)

    3. New speak v. old speak - Scholarly Communications @ Duke

      For one thing, they repeatedly assert that YouTube’s “very business model depend[s] on the unauthorized exploitation of copyrighted (...)

    4. Thomas Harriot - Admiranda narratio fida tamen, de commodis et incolarum ritibus Virginiae · Theatre

      While their observations were detailed and often respectful, they also subtly framed the land and its people as ripe for European settlement and (...)

    5. A Selection of Black Composers - Black Composers - LibGuides at Duke University

      Southall focuses in this work on the exploitation of Wiggins's talent and on post-mortem rehabilitation of his legacy.

    6. Early Development - Radio and Television - LibGuides at Duke University

      Items especially relevant to the development of radio and television include: The "Officers" and "Staff" Series contains presentations on (...)

    7. Fair use, by comparision - Scholarly Communications @ Duke

      The three step test, found in the Berne Convention in article 9.2 and in several other places in international IP agreements, says that (...)

    8. So who gets the money? - Scholarly Communications @ Duke

      For example, are there some groups in India who should be able simply to stop the commercial exploitation of this product?  If we (...)

    9. Is it cool to be a pirate? - Scholarly Communications @ Duke

      I suggest that piracy should be reserved for  instances  of wholesale commercial exploitation of copyrighted material without (...)

    10. CCLearn - Scholarly Communications @ Duke

      Our own position is that we chose the Creative Commons licence as the licensing mechanism that best allows us to deliver the outcomes of the (...)

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