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    1. Library Council Meeting Minutes - January 30, 2025

      She highlighted the challenges of the long and complex process, including the withdrawal from the Folio project and the decision to go (...)

    2. Trent Associates Report - Spring 2016, Vol 23, No 2

      The representations are remarkably complex. An arm on the first plate has no fewer than nine moveable parts.

    3. Digital Preservation Guide | Duke University Libraries

      We’ve based them on best practices as described by a number of heritage institutions such as the Library of Congress and the National (...)

    4. Trent Associates Report - Fall/Winter 2002, Vol 10, No 2

      He has researched, written, and produced a number of documentaries for television, as well as educational films and instructional videos.

    5. Front and Center - Spring 2002, Vol 8, No 1

      These guides of the Hartman Center, with the great- provide case studies and class- est number coming from the J.Walter room exercises (...)

    6. Microsoft Word - RL_anti-racism-roadmap_2020-10-27.docx

      Recognizing the overwhelming whiteness of the library profession, we feel an obligation to partner with others to contribute to expanding the (...)

    7. Front and Center - Fall 2004, Vol 10, No 2

      The Hartman Center awards a number of travel grants and fellow­ ships to assist faculty members, graduate students and independent (...)

    8. https://library.duke.edu/sites/default/files/rubenstein/hartman/pdf/frontandcenter/fc_v23_n1.pdf

      Len Sirowitz was chosen as “The Number One Art Director in America” in 1968 and 1970 polls taken by Ad Weekly.

    9. https://library.duke.edu/sites/default/files/2022-06/DULAR2021final.pdf

      No longer limited by the number of seats in a room, CDVS could greatly increase its audience, setting an all-time record of 711 (...)

    10. Women at the Center - Issue 27, Spring 2015

      Consulting the Kathy Acker Papers at the Sallie Bingham Center shaped my research in a number of ways. Most striking, and perhaps the (...)

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