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    1. Law and politics in the GSU case - Scholarly Communications @ Duke

      At trial, Judge Evans rejected this analogy for a good reason that the publishers largely ignore. 

    2. The other shoe drops - Scholarly Communications @ Duke

      Now the assault on academic fair use is continuing, but my initial temptation to draw a chronological analogy with the attack on Pearl (...)

    3. A discouraging day in court for GSU - Scholarly Communications @ Duke

      The publishers push this analogy very hard, and the judges seemed to mostly accept it. 

    4. Don't let this happen to you. - Scholarly Communications @ Duke

      Sarah McCleskey says: February 1, 2009 at 6:39 pm Kevin, thank you so much for the work you’re doing. This is a great analogy and one (...)

    5. Don't take my word for it - Scholarly Communications @ Duke

      Unfortunately, as the copyright law has grown more and more complex, full of new exceptions to try to mitigate the harms done by new monopoly (...)

    6. UCG and you - Scholarly Communications @ Duke

      I recommend the article for anyone interested in how the law struggles to keep up with rapid and dramatic changes in technology.  The (...)

    7. Shakespeare and copyright - Scholarly Communications @ Duke

      Turow, at the Senate hearings on Wednesday, continued his remarkable penchant for choosing the wrong analogy when he told the senators (...)

    8. MOOC Design Lessons From The Trenches - Duke Learning Innovation & Lifetime Education

      “MOOCs are to on-campus classroom teaching what a trans-Atlantic voyage is to whitewater rafting.” By way of analogy, MOOCs are to (...)

    9. Teaching Philosophy Through Computer Science - Duke Learning Innovation & Lifetime Education

      Having immersed himself in philosophy for over a decade, Lim was given the opportunity to teach introductory computer science courses again at (...)

    10. What can best practices do for us? - Scholarly Communications @ Duke

      It also draws, by way of analogy, upon the professional judgment and experience of documentary filmmakers, whose own code of best (...)

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