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https://blogs.library.duke.edu/rubenstein/page/77/

By the time of our move, 32 auspicious figures awaited the careful attention of the professional art handlers we brought in for this (...)

https://blogs.library.duke.edu/preservation/page/13/

The meeting is launched on the primary device (in my case, a laptop) and the video and sound are set up. Instruction proceeds as usual (...)

https://blogs.library.duke.edu/bitstreams/page/25/

Also, we were able to purchase a Umatic tape cleaner this year, which while it doesn’t sound very glamorous to the rest of the world, (...)

https://blogs.library.duke.edu/rubenstein/page/12/

In the early 1940s, photographers and studios such as Art French in Seattle and Kiddie Kandids, based in the Midwest, began (...)

https://blogs.library.duke.edu/rubenstein/page/103/

“In general I like the way the music and the sound design coalesce in the Oil Blue. The structure of the film is quite musical in any case.

She demonstrates that models’ looks are a cultural product like art, with a value that is fluid and unpredictable.

https://blogs.library.duke.edu/bitstreams/page/22/

Ephemera work first as a record of the basic organization of social communities. In these instances art becomes a tool to highlight key (...)

https://blogs.library.duke.edu/rubenstein/page/23/

Though physiognomy may sound like fun and games, this “science” was often appropriated for stereotyping by race or gender.

https://blogs.library.duke.edu/bitstreams/page/29/

Thanks to Mark Olson, Cordelia and William Laverack Family Assistant Professor of Art, Art History & Visual Studies here at (...)

https://blogs.library.duke.edu/bitstreams/page/34/

Forte (a Professor of Classical Studies, Art, and Visual Studies) and his colleagues were kind enough to demonstrate how they are using (...)

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