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    1. The Devil's Tale - Page 14 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Prioritizing Anti-Racism Set featured image RL Technical Services developed new Guiding Principles for Description and a new style (...)

    2. Signal Boost: Tales From Collections Services | Page 7

      During the day, take time to do things that are good for your soul and your body. Get out and walk or jog in the sunshine. Vitamin D is (...)

    3. The Devil's Tale - Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke

      He directed the camera just as much towards moments of stillness, depicting the reality of the Movement within the image, as well as (...)

    4. The Devil's Tale - Page 19 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      One visualization stands out as we practice “social distancing.” The image below compares the population densities in various locations (...)

    5. New DVDs - Korean Studies - LibGuides at Duke University

      비밀은 없다 = Truth beneath; No secrets 제작, (주) 영화사 거미, 필름 트레인 ; 감독, 이 경미 ; 각본, 이 경미, 박 찬욱 소녀의 세계 감독 안 정민 아빠가 여자를 좋아해 = Daddy likes woman 감독, 이 광재 ; (...)

    6. The Devil's Tale - Page 16 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      At the same time, white suffragists and anti-suffragists upheld racist arguments, often dividing the movement and excluding (...)

    7. The Devil's Tale - Page 3 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      An 1861 edition includes an image, created by E.V.B. and engraved by William Meason, depicting angels in their robes.

    8. The Goodson Blogson

      This shameful chapter of American history began in pre-colonial days, and resulted in the development of a surprisingly detailed body (...)

    9. The Devil's Tale - Page 41 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      There was no time for crowds to assemble while his body still lay on the ground. The painting is a metaphor, then, or perhaps a (...)

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