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    1. Women at the Center - Issue 12, Fall 2007

      From love letters, diaries, and narratives of rape and abortion, to pirated editions of Robin Morgan's Monster, which was barred from pub­ (...)

    2. https://library.duke.edu/sites/default/files/rubenstein/users/kate.collins/Black_Muslims_Lesso (...)

      Discuss the difficulties of asserting a dignified subjectivity for African Americans in the mid- twentieth century, who are faced with a (...)

    3. Front and Center - Spring 2002, Vol 8, No 1

      Ad Industry The Hartman Center's second on-line Emergence of Advertising image resource - The Emergence of tn America: 1850 - 1920 (...)

    4. Front and Center - Fall 2000, Vol 7, No 2

      Much of the material 1929 image is an example of creative tem­ mitment to preserving the platesarrived at Duke in an unorgan­ (...)

    5. https://library.duke.edu/sites/default/files/dul/users/Katryna%20Robinson/fy2021_library_colle (...)

      The Vogue Archive is used extensively in the THE261 Costume Design course as a primary source for historical context and image (...)

    6. Twenty-two

      And her voice upon the water, get your butt back over here. The image of the girl, scurrying away.

    7. Front and Center - Winter 2014, Vol 20, No 2

      Golden is best known for his design of the CBS “eye” logo, and created for CBS a corporate identity aesthetic that reinforced the broadcaster’s (...)

    8. Slave Letters | Duke University Libraries

      Professor Norma Taylor Mitchell wrote an essay focusing on Hannah Valentine's role within the Campbell family, published in Beyond (...)

    9. Front and Center - Summer 2014, Vol 20, No 1

      Enter Judy, WRK’s carefully crafted image of call center labor. As veterans of the direct marketing field, WRK’s staff was fully (...)

    10. https://library.duke.edu/sites/default/files/rubenstein/hartman/pdf/frontandcenter/fc_v23_n1.pdf

      She presented “The Naked Truth: Advertising’s Image of Women” and demon- strated how images of women have changed over the past twenty (...)

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