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    1. Clarissa Sligh: Jake in Transition - The Devil's Tale

      Clarissa Sligh: Jake in Transition - The Devil's Tale Primary Menu Skip to content Blog Roll Commenting Policy Bingham Center , From Our (...)

    2. Language & Literature - Chinese Studies - LibGuides at Duke University

      It also houses bibliographies of mostly English-language materials on modern and contemporary Chinese literature, film/media, visual (...)

    3. My RBMSCL: Screen Printed Mural in Perkins - The Devil's Tale

      Post contributed by Bill Fick, Visiting Assistant Professor of the Practice of Visual Arts. Thanks to Will Hansen, Assistant (...)

    4. "The Bathers": Exhibit Opening and Reception - The Devil's Tale

      Williams is a photography instructor at the School of Visual Arts in New York City. She has a master’s degree from Yale (...)

    5. “What, Me Worry?”: The Nick Meglin Papers at the Rubenstein Library - The Devil's Tale

      As a newly-minted graduate of the School of Visual Arts, Meglin was hired at MAD Magazine in 1956.

    6. Wooshes, Whistles, Crowd Roars, and Seal Screams - The Devil's Tale

      The origins of Freewater Productions Films can be traced to 1969, when the Mary Duke Biddle Foundation gave funds for students from the Duke (...)

    7. Jews in Europe - Jewish Studies - LibGuides at Duke University

      The crisis of Aristotelianism (which progressively touched upon all fields of knowledge), religious fractures and unrest, the scientific (...)

    8. Congratulations to our 2014-2015 grant recipients! - The Devil's Tale

      Sara Mameni , Ph.D. candidate, visual arts, University of California, San Diego, for dissertation research on Iran-US (...)

    9. Discovery at the Rubenstein: Italian-Language Version of Edith Wharton’s Short Story, “The Duchess a

      To taunt and threaten his wife, the Duke gives her a Bernini statue crafted in her image, and, as Emily Orlando has argued in Edith Wharton and (...)

    10. Shakespeare and copyright - Scholarly Communications @ Duke

      These kinds of direct support are much more effective, in many cases, than relying on the monopoly income provided by copyright” Unfortunately, (...)

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