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    1. Perfect Bluebook, Automatically?

      The site FAQ clearly outlines what the system can and cannot do – for example, while you can copy text and references from LexisNexis, Westlaw, (...)

    2. Pirate Marketing? - Scholarly Communications @ Duke

      They “see so little wrong with this behavior that the word ‘copyright’ is never even uttered.”  In this way, Glee is a telling (...)

    3. Event: Digital Forensics, Emulation, and the Art of Restoration - Preservation Underground

      Could the board be restored to working order? For scholars interested in the intersection of art and technology, the ability to (...)

    4. What's In The Lab: Long Civil Rights Digitization Project - Preservation Underground

      With input from curatorial staff, we decided to alter the bindings in order to better capture the content and to ensure their long term (...)

    5. When the Paper is too Nice - Preservation Underground

      Preserving the Paper When the book was bound, the pastedowns were made with the first and last sheet of the textblock of the book rather than (...)

    6. LIFE WITH CIPE - Preservation Underground

      She is also credited as being the first to commission fine artists like Ad Reinhardt and Andy Warhol for work in mass media publications. In (...)

    7. Evidence in Print Waste - Preservation Underground

      As previously mentioned, the book was not in good working order when it was acquired, looking more like something left behind in the (...)

    8. We're Going to Need a Bigger Box - Preservation Underground

      I measured this piece the same way I did before in order to be as economical as possible with the board.

    9. Grammy Nominees - and Winners! - in the Music Library - Duke University Libraries Blogs

      Jaroussky begins with an almost impossibly hushed suspended note on the word “whispering.” -Laura Williams, Head Librarian, Music (...)

    10. Collecting for Global Diversity, Part 3 - Duke University Libraries Blogs

      The rich, multilayered meaning of the hyphenated exhibition title, which employed both the Turkish word çapraşık and the German (...)

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