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    1. Flipping Data Workshops - Duke Libraries Center for Data and Visualization Sciences

      When the student is invited to take charge of their learning, the process of investigation becomes their self-driven passion.  

    2. Scholarly Communications @ Duke - Page 24 of 58 - Discussions about the changing world of scholarly

      In the university context the question of control or inducement becomes more difficult. For example, how much control can, or (...)

    3. https://sites.fuqua.duke.edu/fordlibrary/page/56/

      On basic measures of health systems performance: coverage, quality, cost control and choice, the U.S. is far behind other countries.

    4. CDA Episode 2: Prepping for Ingest - Preservation Underground

      Many of these are outlined in the Digital Preservation Policy , including regular monitoring of records for fixity and version control, (...)

    5. Advertisements, elitism and open access - Scholarly Communications @ Duke

      Some may see this as a threat to traditional forms of evaluation and quality control; advertisements seem like a tangible reminder of (...)

    6. Projections and Georeferencing (Lining Up Data) - ArcMap Desktop Introduction - LibGuides at Duke Un

      This blog post outlines the process in easy-to-follow steps.  Further online help from Esri.

    7. Getting to Know Us Even Better - Bitstreams: The Digital Collections Blog

      Everyone on the team is constantly trying to expand our capabilities whether it be an enhancement to the interface, normalization of metadata, (...)

    8. Are we done with copyright? - Scholarly Communications @ Duke

      But we already have a process for the production of course-packs, and it works well.

    9. Bitstreams: The Digital Collections Blog - Page 16 of 36 - Notes from the Duke University Libraries

      We’re used some great tools from our colleagues, notably ACE Audit Control Environment , for scheduled fixity reporting. 

    10. Museums can get copyright right - Scholarly Communications @ Duke

      Crews points out both that many claims made by museums tend to stretch the copyright law beyond reasonable bounds AND that some of the claims (...)

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