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    1. https://library.duke.edu/sites/default/files/dul/users/kurt.cumiskey/hiller_nadell_prize_submi (...)

      He believed in the profound creative potential of cultural and social exchange, of mixture and meeting.

    2. Front and Center - Fall/Winter 1994, Vol 1, No 1

      The course, which fulfilled the writing re­ quirement for first-year students, provided an introduction to archival research as well as (...)

    3. shelly_nadellcollection[03.2023]

      (Berlin: Aufbau Verlag, 1996) During the course of writing my dissertation, I fell in love with the writer Arnold Zweig.

    4. Front and Center - Fall 2000, Vol 7, No 2

      Advertising Association of Fletcher endorsed Duke's grant America (OAAA) and related col­ application to NEH, writing, "I lections fill (...)

    5. Sharpening Our Vision - DUL Strategic Plan 2010-2012

      There is continued interest in finding creative ways to offer non-monetary rewards for staff recognition.

    6. Front and Center - Fall 2004, Vol 10, No 2

      He spent much of his career at Ted Bates & Co as their Executive Creative Director. Some speeches and files of Victor Bloede, former (...)

    7. Library Communication Resources | Duke University Libraries

      The guidelines include a  Visual Style Guide for webpages, a Web Writing Style Guide, and a list of Shared Terminology  outlining the (...)

    8. Front and Center - Summer 2005, Vol 11, No 1

      While vice president and creative supervisor at Doherty Clifford Steers & Shenfield, Sosna lobbied to acquir e the Peace Corps pro bono (...)

    9. AE Living Hebrew Bible 2.16.20

      This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License.

    10. Mark Their Words - Duke University Libraries Magazine

      Rubenstein Rare Book & Manuscript Library; and the Rudolph William Rosati Creative Writing Award , for an outstanding work of (...)

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