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    1. The Goodson Blogson

      There are a variety of reasons why you might search for a particular political cartoon—from as complex as exploring the development of (...)

    2. The Devil's Tale - Page 11 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      This movement initially peaked in 1996, [5] but it declined amid the fallout from the 1995 bombing of the Oklahoma City federal building by (...)

    3. The Devil's Tale - Page 61 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Lou is angry at the creative staff for mocking his cartoon ambitions and orders them all to work late on a Friday night.

    4. The Devil's Tale - Page 52 of 130 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Lou calls Don and gleefully tells him that he is quitting and moving to Tokyo to work with Tatsunoko Productions on developing his comic into a (...)

    5. The Devil's Tale - Page 50 of 128 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Lou calls Don and gleefully tells him that he is quitting and moving to Tokyo to work with Tatsunoko Productions on developing his comic into a (...)

    6. Signal Boost: Tales From Collections Services | Page 5

      We also looked forward to snow in the weather forecast, and had fun trading this cute cartoon back and forth via email on such occasions!

    7. The Devil's Tale - Dispatches from the David M. Rubenstein Rare Book and Manuscript Library at Duke

      Hammacher Schlemmer’s status as an American cultural icon is evidenced through parodies of the company’s catalog offerings that appeared in (...)

    8. The Devil's Tale - Page 14 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      This movement initially peaked in 1996, [5] but it declined amid the fallout from the 1995 bombing of the Oklahoma City federal building by (...)

    9. The Devil's Tale - Page 63 of 131 - Dispatches from the David M. Rubenstein Rare Book and Manuscript

      Lou is angry at the creative staff for mocking his cartoon ambitions and orders them all to work late on a Friday night.

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