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1. Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LSwMxEA7iyYv4At_kIIKHpd1km2SlCFZaxIP4RD2tSTZRwbZSV6E3_4Z_z1_iTLJK9eLFSw7LMLtMhvlm2OH7CNkCkDJK5z7x0CskmU9dYjgc-Jcvk8zoZh5kr9XRDTs9U72DCakv3AmL9MAxcA3loMiaVANU-ww5LHNVImWMV6kV1gaeT5jKJ4apUIOhLxBNHkk1IU2bjf7DCEdz1LVFdaNp8D38gUUTlP0BW3pzZLZuCul-_Jh5MuUGC2QpMniM6TZFelgdJHjHi-T2HDWGBncUXkRPYLDHxWUKfRztDMvxLr3SjxVF3bu-HgSb9v1eXAOiXZSeem437vc-3t7pfk0nTqshjYTGLjTlS-Sy1704OExqnYTEMpFXibOpVV5rbTmD6Yu1jGBMCseZNZox6Al5KZTzrdSXmS-lya0Q0jihhGsK0-LLhJY8t1LykhnlMy8zLaEWeKOMdBrM0xWygxErniIHRoGs1CP3CtBVwG0VdXSLEN0Vsv0V1m97mDXwGn4bdjDoP5yGB-iyToDirwRY_Q8na2SGIV4DKDG5Tqar0YvbiPoQmyGz4Lw-zj8BrDPVuA

   by Gaillard, Hélène

   Miranda, Volume 15, Issue 15.

   Journal Article : Full Text Online

2. Thomas Eakins and the human écorché: understanding the body in three dimensions

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3daxQxEA-tvij4LfS0lgiCT_uVZDdZqZWj3NGKWCu24FNIdrO0RfaOy-2D_70zm91696D44EtYNsOyyWQmM5NfZgh5A5uUVaZsogZshUg0mYsshwZP-YRk1qRlX_ZaffzOzr-q-fEOORnvwvRod9SNvZY2y6VP6kWVTGGf50KwrEimZ59nHzaqZ3TvEf-slw5jy36X3MVFiOCu0-nZqJPBKu8TcmYcfohJJkL6Rg7uRuJvEOCVx0zEPOZb29OgpB_8QIgElrzqsanbWpsNW9H8EfG3g0AcdhxwKCEisQXQHjM9_o_xPiYPB8uVTsNSe0J2XPuU3L-89l1465-Ry8Oro4A4ojOscuUPk6sjatqagplJ-3KAFN1dWCjvaLd5raYnsIv6J71u4XnlHK2x7gDG8vxzcjGffTs-iYbCDVHFJV_DDNuqSF3uDAi8zZ3gTBZVXmMapZSVmQKzzhSiMcY1MrW2rBSYzamyRcGsdBnfI7TmZSUlr5lVjWikMBKUU2MV9JuyKrIJeTsySi9DYg4NDg2yVPsbjSzVTGiuOVDiBGuU2PXKVGa4eLBoHea-0r_nekLibVbrQaD9Hz-9Py6FDVJZSvD7Ui4m5PVtN0gtHsWY1i06oFFCgWksxF9pwJVUIi_Vi38ewUtyD38vxIj2yZ31qnOvQp2LA7Irz08PermA9tPFl1-TxRlG

   by Slipp, Naomi

   The Sculpture Journal, Volume 24, Issue 3, pp. 333 - 350

   Journal Article : Full Text Online

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3. Melancholy, gender, and genius in the art of Thomas Eakins

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3PS8MwFA6il138MQdO58hBPK1b2_RHAmMwx8YQFZV58FSattHBmGK3Q_9732tSsQfxsEsppQlp3svLS_rl-wi5gklK8lgoS0GuYHnKySzJ4IJ_-bzQlbEtStlrfvvqPj3z2cSgCXMDq8Q1tNJEEWWsxsEdy7xCxA0gK3ECX-AxExceIUU7w2PmuLQBj17M7n5iMcLT9IFpx8Ii1Rmev2qpzU417tJ6rGZmApodkVXV9BJ93dfoE70PUYNlV_yOO33lMTk0iSoda886IXvZuklamlWkoNcUKWvjUha4aJLGY6WIUJyS8X22Al-CsFr06FspVdej0Ay8X25zulxTyDop-Cz9UHT4PtIgJTpFYax8OHgftcjLbLqYzC2j1GAlLg82YGgulEztxEl9yXzIsZgvEqVQxCPJYEXkoDpq5jPpBZyxIPYCL7Ull1JJRymfnRGaMpGEIUtdyZWnQi8OIRopeCfMYpEETpv0K9NEn5qJI3IqglPTVxH2VWT6qk3EbwNGm3ILRGm9koj9U7ZTWTsygzqPILoJ17XDQJzvUPUFabiIi0FaXd4h-5uvbXappSi65OBmPn8YdxFzwLulK38DkOLtPg

   by Hanson, Debra W.

   History Of European Ideas, Volume 47, Issue 6, pp. 974 - 986

   Journal Article : Full Text Online

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