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1. "From Screwball to Salon Comedies": Genre Films and Turkification in Yeşilçam

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3NS8MwFA-ykxe_wflFGF4z06ZtUhkDGVYRL7p52KkkacKG3SZbh3-OR_8Q8f8ySVvZDnrZqfSFhPTlNe8jv_cCwGVIFNZKaRQoGiCz4WHEIqlRSA3VaGismEtOZg9D_-mZJb0KTbioYJXWh9ZloQi3V9ufm4tFjYgzT6PlfOyAWaE7pCQuidq6NkaiB8nj715sgT3uvDPEyHapc3j-GmVNO63VLl3ROskuyOv5Osh1u4SclMGHNSx2XdRxo0_bAzuVdQpvSnHaB1tqegAayTifHIKslcxnE9gZdfvG0nwXPM87V6MuLGawz_PZ1Lb0bC6_8b1tQ-sa3lnhtHQ7giNCMzM4WM5fLULJCQUcT-FQfX-M869PPjkCL8ntoHePqjsakPQoKRCnJFIi4op7mfK5kH4sNdacCS0IlsaiYkZPGjdTRworQmMcSCwE97jnSRUIcgwgxgJzakYiWgY0zkSEWRYQLij3eRiHTdCuFyV9K2twpF5V2rRmWGoZllYMa4J4denSwgU_dHlTSUr-7XuyQd9TsG1fbcjZY2egUcyX6ry8ZeLCyeUPzZXf4A

   by Kesirli Unur, Ayşegül

   Quarterly Review Of Film And Video, Volume 32, Issue 6, pp. 538 - 549

   Journal Article : Full Text Online

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2. Love Is Never Simple: The Influence of Film Noir and Screwball Comedy on the (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LT9tAEF4FuPSCoCC1vDQHyMVy4nj9AiEQpLEaiJBa0kNPlkNssCAOIjzEb-Gf8OuY2YezohxScbHs1T68ns87szsvxrZ9njl5luW2l4WejQueY0fBRW77IZYih3aySDgnRyd_3V-_o7hdq71qXxhhy0z784n6VT7wciB_VbJvfNYZpg4LpVin8yWn9ePPaSfBvW-__oiUNZ6R6PoPrO_w-LN4wTJEDPnf_gdmqk6xAO8ROXhF7OB1JvT0cOZWl9ZAfHXrvKAYwtpAo6vzmpCgGRc3I-tsXEhTzHOUQZ8GpO1uk1f_s1JF4FNWIoyEt9cEO5G5gcyAKGLAPs6svLwRNmLWMZnUq6FNEVqMOJJhQafmROV1StGZxGEu8hfzMKPlVdZaas1zyVuIsmRJ9mSWqWwvatH2DWxyYwFWS7tk5TI--j9MggudVT5q-A3eCNykNeWFWv__jkVWhotC_xcFSM3ET3hCjefYgktiFoUY7cXV-R7nbisQHlDVnJR7KLZvGoMbApE0wRWSTX-JLaotCRxJFCyzWlZ-ZfP0mVfYC9EFuhMQQABJjT1AGEAFAxjnsH91QA32m1cHQGgARAMVVoAACQhRYVwCAgEIFKBBAQoUoEFBvYrBK1BAgdUJFOo1VpkVd_rtn7aeWHIrQ6ckH3w__o2B4wycNExDzvMLL9wdDgInGno8HYSpm_q7_ne2PUtXa7NVW2dfptjbYPP3dw_ZpkwGsiWI-AZwgoL2

   by Lenkaitis, Shea

   Film Matters, Volume 5, Issue 3, pp. 62 - 64

   Journal Article : Full Text Online

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3. "From Screwball to Salon Comedies": Genre Films and Turkification in Yesilçl;am

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LS8NAEF6qJy_iC3yzqPVSgtukcVMVRWuj2KKoKegpbNuNBlMLjVU8-mv8If4xZzYPExVRvIRkNwxhv8nsPHcIWTMNyTwpPa0ieUUDgcc0a7PjaSaHUdihmbRUcbJ1cq2fX1h2rVB4SWphVC4z2udh_Kt8U-WA9aqY3_icdJja8-PAOvqXWPmw1ai7YPs664-AbOYZQE_-wPWiYf-XX2AMOAbrb__AMylRGIB74By4Au_A9VfcU9R1GwtPLkGpfGpj-Bp01EsR9LFGEOPxKF10dCccIYmS7Qe96LRnZzi4w_QjkWRRXsvQD1Q8ngdF40D0svpwmlOaqaHxgJYihSWC_YQjWgCBEmTPobxBcge1YVBqAPFB4Gd9F2UTnbE6S7nN-dJGJJPLhNKYmUyr6szKiusPd-gn2WtGx8Tkz9Q-PXPtVrPpOvUrJz8b7eEcm56CTQUG9IhRxuYLjt1Mt3LMC1Ph8vg78hu2EWshzgQZj80Huh8hNkkK8n6KjOLqTxO5gpDRndvdFLWdjdtd-tCnCjmcScDDiZUtqsDDcYWfehsWnuYwpP49VRi-vQbbojdDVu26UzvWkk90Y4YK3TIHNRJUSxDhs4Qy1maCC24YXqfCq932JrO6FUO0udCFWTXnyOJPJOZ_nl4gYx9QL5LRh8FQLkWtNpbV6r4DaL1O1w

   by Unur, Aysegüul Kesirli

   Quarterly Review Of Film And Video, Volume 32, Issue 6, p. 538

   Journal Article : Full Text Online

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