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1. Pharoah Sanders (1940-2022)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3NS8MwFA-iFy9-g9M5injQQ7Y0bdoUxkCGRcSDH_PgKaRJSg-iss3_35cv2BDx4KW0oQl9fR95Cb_8HkIXhhhu8pLhiusGQ8CT2NLWYaJVUYI_lSx1Za_53St9fOL1NKAJFwFWadfQrSeKcLHaOrdsFhERNwK7tCQ0FmBAsyGFpJoxy_dplzZg0bP6fiUWE08gRQi2XeIZnt9GWZud1rhLf8RqNwHVu-gtfrpDXw89-sTvQ6zBsiO_47-k3EM7IVFNrr1l7aMN836AtlxZ6EN0Pu4mD52cf8guefbnY8ajbpJcplVOwCUovTpCL_XNbHqLQ7UFrGiRLUFFRmmaGtW0kIWZAvKahnHS6gYyBrjogrdc0xYyOAY5oyHQKKnSUsH62hiVHaOkLGTOsgJ6yDLnoPMKbnPNS2hjirIeGsbfKz49m4ZII0lpkFdYeUWQt4eqVSWIpdvGaH3NEZH90bcfNSaCYy4EtfkZvJSxk38MfYq27aMDAvI-2lzOv8yZLycxsHgBPnBm-A0PtNQQ

   by Alper, Garth

   Popular Music And Society, Volume ahead-of-print, Issue ahead-of-print, pp. 1 - 2

   Journal Article : Full Text Online

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2. Pharoah Sanders, Straight-Ahead and Avant-Garde

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3NT4MwFG-MXrz4nTidCyYe7QalpSVZliyLaIwHP-bBE-lKyQ5mMxv7_32vUCMH42E3oBRo-z76yq-_R8iNDa2yXAqaqmJGweBpirR1NCxMIkGfpIhc2mv1-MFeXlU2adCE6wZWiTF0WRNFOFuNyq1na4-IG8AkOgU_FCIwS2BSEqTdAiuMoQ1I9DR78rYYtNkRcWINilX8Hp6_ntLyTi3u0ratZo0Dyg7Jp_90h77u1-iTeh2iBcv2_I5btfKIHDQT1WBcS9Yx2bGLE7Ln0kKfkmQ4Hz3P9Wqp58FbvT9mOJiPbgMku3XUJGMw8kUARcEY5uoVvQdJtGfkPbubTh5ok4GBGhbzikottTCG8SI0EBqxkOlCw3hCmGOttjK0iY4KiNriUpgy5FHKuWFWaxOB8xU8PieBTDQXcTILIy25AjlI4ZAXSsI1YZjokL7v8vyrZtjIo4a41PdBjn2QN33QIenvgckrt7RR1nlI8viful0_inmjrGu4MxFRjFuAO-T6pxjUDP-d6IVdbvAeBc3H1OwXW7z-kuzjqVvCYV2yW6029qpOQ9FDnIHqOfH9Bq8J6Lc

   by Bierman, Benjamin

   Jazz Perspectives, Volume 9, Issue 1, pp. 65 - 93

   Journal Article : Full Text Online

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3. Timbral Virtuosity: Pharoah Sanders, Sonic Heterogeneity, and the Jazz Avant-garde in (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LS8QwEA6iFy--wfWxRPBoNNs0aSKyIOIi4sE3eCppm7rCsivb7kF_vTNpKu5BPHjrY6aPdGYySb98Q8ih4067OJHM6CJjEPAsQ9o6xotcJeBPiez5stf6-iW6u9eDi4AmrAKsEsfQZUMU4WM1OrfNqhYRdwJJtIF-iCMwS-IaGGkELuHDoQ1Y9OPgpo3F4M2eiBM1GKq0a3h-u8pc7zTHXTofq0XogAarZNQ-ukdfHzfok2YeYg6W3fI7_ust18hKSFTpeWNZ62TBjTfIki8LvUnG8IlhmD2iz2_Teoa4r49Tejbs3w7tdGKH9KFZM3N2Muwf0Qdk36VXiLuZgLk6ED6iIEAh96TX9vOTnkM6X7NXMFZH38b-OLgsr7xUwqst8jS4fLy4YqFyA8uFVDUzmUhMbpSJRSGcyItIldZFYBMCEsIoiwtT8jwrheLCylyI0vFSRlYjPb1yXGwTmigbS6Ey3rNJrMF-DGzGhU7gmMwj2SFx-6nSPPCZY1mNUdoLtKdtC6bYgmlowQ45_lZ7bwg9_lIwP-0grf1MStmUPUnFH7p7rdGkITZUIKmwqA5k1h1y8H0avBp_1dixm8xQRhu4kFJm5x-33yXLuOtnjKI9slhPZ26_qXrRRViD7npv-QJXygvV

   by Solis, Gabriel

   Jazz Perspectives, Volume 9, Issue 1, pp. 47 - 63

   Journal Article : Full Text Online

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