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    1. Anticipating Blackness

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV25TgMxEB1xNKHgDCIQ0BaICqNd3y6jQIToQESIahVfdCkgKfL32fHuarkK6C3LY43n8ps3AJe8iFpyz4gOThPOXU5sUILMdGQmitwKid3IL_rhlT4-6cm4o8n59oNf-SOcNoak7JJgC6bQahO2C2zwxMz8dtpZXWVqq1s9YFzefEn-tsMO9BAyvUxI0x82ODmWyR5M2_achKq-qVEldX3hC9z6E2_jH06_D7tNpJmNatU4gI0wP4R-TQuyyq4y5Jydpbm-qyM4Hs1bePX8LUtVPbSBfZhO7p7H96QZmUA8pWpBIrciziL6eR1N9NxRp5zIYxW1OKeY9MZzr1yVpVWxms2ZtzEGIy31hZXOshPImMJn6VTKWGOVPquQGxaEiqYQUfMBXHfXVzYq_1FiNlFJXLYSl43EAxi2F9wtppIhTz5V8vR_u51Bj2IDQiqCDGFr8b4M5_Ugh4ukEGuy9qxV

      by Fleming, Julius B.

      The South Atlantic Quarterly, Volume 121, Issue 1, pp. 131 - 152

      Journal Article : Full Text Online

    2. Nina Simone

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LSwMxEA7iyYtYFKwvetBj3M07gVKoxUU8CFZFPIU8JtRLKUUP_vsmu1vpzYuXQEII-b6QeZDJDELXnCQteWRYQ9CY81BjD0pgpxMzSdReyPIb-V0_ftDnuW5mO6W-SkxYlx64I66CQFmkgXOfJFeeeM-U8UyqmLxzBor0zV75jjPVymDGsqIUXaQ7Ld_Qq8XPqsoK6nZdKknu6KBtqn7a65TmCB32xuBo2m1igPZgeYwG48Xk6XPpRi-ZxiWMq8XkBL0196-zB9xXLsCBcKKxiy4SAtI77ZOnhphgAJg0QdQyMA5MCwAvY0gyEBVIqpmKCnJPJZl3eYpGTJXbEVTrOKbsxSrIOEGoZIhImg_RzRaEXXWZKWy26FuwNoO1eRmbwQ7RXUH4O6fkk24HMsu2Z9n-xfLZfyxyjg5oiQgpbzr1Bdr_Wn_DZVeE4ao9vtw28-kGq9KgtA

      by McFarlane, Nicole Ashanti

      Hyperrhiz, Issue 23.

      Journal Article : Full Text Online

    3. Nina Simone as Poet and Orchestrator

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1Lb9QwELage-GCaEECWqoc2l5W3sav2JGqIrTsFsGqLZAVcIrysNUitaw2baX-e2Ycpw1qQSAuUR5KrOgbj8f2zPcRsiWZM4msBTW2MlTKKqal1YoWxonUqbhUCVYjfzHvv_GPn8x0HNZ0sRbG5zLj_LwJXeWeKgesV8X8xutOYer1adhYx_WlmL2df5jkMPfNdq4A2d41gN71wJ1tMf1fe4F7YDFYf_sPNnPzUbgB52A5cATbgeNfWc_h6Xkx_Aw4QgxaNMPjH7bNRD9aeoEtvzf_m7h24SXBlsMzVJD29LW9PMXj65C-DP3rsgnZimHRgfeSo3oEtvdUkfXzRrw75ZJCBBLIrjsXKygEUabvg1syjGBrvOdQWdi1acdm1rJz3nH7rYbT98UZErBzNhJixEc3r_Y5tg-P8ul8NsuzydfsIRlwDJBWyGA-O5iNOz-kJJYDJ7ecjRBTpp53N_xNKL6CVnfvtvnroC5CpJI9IY8DFNGbFtVV8sCer5GBF_R-SoZ7J_sIbtSCu7d7sh8VTYQARwBw1Af4GZlPJ9n4HQ2CGXQBnvmCVhb15GSZQuTDbVXWdc3qUpdJAYFkyVBMUMF4Vqla14UpmHXaJvCkdMbBVNSK5yQSGp1ypf16hZNJqm2cCqu0S5lyRr4gG93v5cFgm5wr5EAycapf_vnxOnl0a04bZOVieWlftTocm5hoYTYDFj8BjuxPRw

      by Pyle, Marcus R

      Journal Of Popular Music Studies, Volume 33, Issue 2, pp. 130 - 147

      Journal Article : Full Text Online

      View Article PDF

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    1. Nina Simone.

      https://find.library.duke.edu/catalog/DUKE009368852

      Book : View Online

    2. Nina Simone.

      https://find.library.duke.edu/catalog/DUKE99119339652208501

      Music recording : View Online

    3. Nina Simone.

      https://find.library.duke.edu/catalog/DUKE008437302

      Book

      Check Holdings for this item's availability Rubenstein Library, ML420.S5635 V55 2018 c.1

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    1. INSIST! – Black Activist Voices in Music, pt.5 | Signal Boost: Tales From Collections Services

      https://blogs.library.duke.edu/signalboost/2021/06/08/insist-black-activist-voices-in-music-pt-5/

      I’m pleased to spring forth from the mighty Nina Simone and bring this to the present day with a spotlight on the (...)

    2. INSIST! Juneteenth edition, 2024 | Signal Boost: Tales From Collections Services

      https://blogs.library.duke.edu/signalboost/2024/06/19/insist-juneteenth-edition-2024/

      And included on the musical slate, none other than Ray Charles, Nina Simone, Johnny Mathis, Clyde McPhatter, the Shirelles and (...)

    3. INSIST! – Black Activist Voices in Music, pt.4 | Signal Boost: Tales From Collections Services

      https://blogs.library.duke.edu/signalboost/2021/03/16/insist-black-activist-voices-in-music-pt-4/

      I do have to respond to one assertion in your piece though: while I can’t deny that McDaniels wields the word with the skill of a master (...)

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