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1. Miss Havisham and Me

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV1bS8MwFD54edmLd3ROJQ_igxBdm6RJYQxkWoZsD4pTfCppLuzFIXb7_ya92E0U9P1QetI055Lv-w7AOQ-kylQcY8YMwVSHBGdRYHEotMs-upGxBev9Rdy_hg-PIhk0OtvfbvBdPPLTxphwabA7MAjjhPJ12Aw8w9OX5reT5tgVIas1GL19dYX54yNWglDL46cXBex0KbQk2_BcE3QKXPVViSspOwwrgOsl5ca_vP8ObFXJJropd8curJnZHhyOqhZlji7Q6EtVOd-HTm_aH7sPgYZeemAq33rX0z6SM43G5gAmyd3TYIir4QlYuag7x5mnlBJtCLOSKmEiYlx1p3lmqVIidoVJYCmhhsWB9ORWSzWThRwbs65mjMgRIBnGEY-70kZaU-V7cIIbl1F1VUC4UaQNl_Uypu-lOEbqiwrndlq7ndZutwE3C51Wf0r-u_3xP-070PKj4Esw4glszD8W5rQc8XBW7JRPlRuv2g

   by Hollywood, Amy

   Romanic Review, Volume 114, Issue 1, pp. 77 - 95

   Journal Article : Full Text Online

2. Scorned Women and Their Protégées: Aunt Betsey, Miss Wade, and Miss Havisham

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV3ZSsQwFA0uL764o-NGQBEEO9NmaRMRQcVBRMUVEYSSrQ6C49L64Cf5Hf6YSZOq8yS-9rYh7UmTe-4KwFqWCCUV5xGlBkdEIxzJNCkixLTVPuLUFHXW-w07ukXnF6y7PwRWm1wYZ3hoP_Q8Pwwfr8OJ87YNg1HLT7BbxifXZ9-uAoJQqLXpivpnOPgiMcUd_eKiJRFpCz_CwNnz29QxuBGjcLp0J8BpM686tLrtQ0u8kWEg5rop3vjHK0yC8aBnwl0vmAJDpj8N5o6DdbKE6_D4u6ByOQPuLi0LtTsurDtaQtHX8Mq5EODZ61P1-XH_-WHKLbj71q_gnqlK874Jt3s7Jxa17U5vB94IbTbrp8JVeOiqF_TEoxPPguvuwdX-YRQaL0QKpbyKClowpgmWXAqcFpZDcUaoyaRVz6xGqbWKuZRUJVooKhhOZOwyZEXBYqqYLPA8gALxNOOxKFKtiXL2O5YZq43FKsGZUbgFNhos8mdfWCOvvWsU5xa33OGWB9xaIPoFVh7-sjL30vwSJSmn2PIEQhzHQy2w1MD5czO2qq_lvgxlC_8cbhGMudn4IJYlMFK9vpll3zxipV6LX4X02cU

   by Hamby, James

   Dickens Quarterly, Volume 41, Issue 4, pp. 473 - 493

   Journal Article : Full Text Online

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3. Miss Havisham’s Rage: Imagining the ‘Angry Woman’ in Adaptations of Dickens’ Famous Character

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1La9wwEBbb9NJL6QuavtChzaGLWVuybKuElLAbkz6hYUPoaZFlq1nYbJbstpCe8jPav5db_0VnJMt22gQaejFrrTwg6_NoNJr5hpDnaaR0oaUMhKh4EJeMB0USmYBlJVgfYVIZm_V-kL39zD7tZfmw1_vlc2FsLDPuz5f1p3JJlgPmq2J846mvMPV6Wh-so38pjEb773YmsPcdb3yDme3cw6T7L3DjBc__Fy_QBojB_NtrYKYRCg3wG5ADV8AOXP8JPR9gPvq7yECAedR1QIRc9vdA_aAT4c0RVjfyqVa-Q7Y9_3Jy2j84Rreqf8h6VEq1WLVBd6Mp6A4w4JsuuUIPhD37t-zRXZO5fbbvg1A6dBezhhYajz1AB2LQ2fJicOTHylNSDpWvstS4OlgbaOe1cypEgAR7bvG6pM2rdN6BLuvqZ5ewXS_1zPEo_bWKOIYt1QwPbxbfQ0dicJGz-4-1tIlwdGf7fNIKmTgRN8hNhlYZZhu9H3mjIUHiPJu7W4_GH8BLPmhFDJyIjgnliM2sLTS-Q27Xmxi67XBzl_Sq-T2ylk9nR_fJbPNwC9FDPXrOz34uNweHWxSx84o2yKEwk_T87IfFDLWYga50OqcdtNBjQ2u04J8OJ7TByQOyn--Mh7tBXdIj0CwWqyATpZGVyjIhM2EqXYD9y5JCVJrH0lTIRpQYWcRMpUKFGgZb6IwXpTRG6DiK-ENCFZNJKkNlkrKMNXqGs7QCOz_UEU9B0DoJ_euZ6JroHuutzCZXTso6edk8snAsL1d3fnSdzo_JrRbJT8ja6uRr9dQVHnlmEfAbmy-oBA

   by Nelson, Camilla

   Adaptation : The Journal Of Literature On Screen Studies, Volume 13, Issue 2, pp. 224 - 239

   Journal Article : Full Text Online

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