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1. The use of Body-Mind Centering® to support training in Michael Chekhov’s acting technique

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3LSgMxFA1KN258VPFVJQtxlzZNMpMMlIoWi0hdKLpwVTJ50CJ0KtMK7vwNf8KP8FP8EpPMTIsILtwmgZnJ3Lk5c-7jAHCSEKNN3I6RsiRCTDKBhFUpwimLtWHad63zEV1x_Uhu70S_VxJueZlWWfnE4Kh1pjxH3iIJ9-mO7rQ9mz4jrxrlo6ulhMYqqFHqgHEI1ooFx-JbswtRBJYZQw4K8KqIR-CWH_NDTa8g3iTuAiKJf7nkcM70N8C4usOQZN0skkwKuuFH9nXVxvH_D7MJ1kswCs8L69kCK2ZSB7VgCHWwOyipzByewsGi-3JeB_Ul1nRTQSc93wbKWRyc5wZmFl5k-hXduN996Nnj0O3w8wPOMpjPp345rJQp4HgCO6NumbwPeyPzNMpevt7e805r1IW-6sItWjSa3QEP_cv73hUqJRyQIiKeISEjja0DIdxS5ysk5ZGhAmtONY9ZWyY8tcr4UiGhJLEOSzofksYmlqnUkgqyByDlWGKLU0wVdcbERFslCkepQ15WqoTvg0a1ycPyA8yHyx0--Hv6EKy5988Cq0IaoGbdtDkqpCGOgzl9Aw9r1EA

   by Luciana Paula Castilho Barone

   Theatre, Dance And Performance Training, Volume 15, Issue 1, pp. 61 - 75

   Journal Article

2. Embodied Cognition in Performance: The Impact of Michael Chekhov’s Acting Exercises on (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3LbtQwFLVaVt0gXhLDozISGxaZOBM7sVFVaYhmVJCQCoIFq8jPZkQnGXVapEos-A1-jy_hXiczkA0LtklsJ7439j328bmEvFQz73yRFYkNM5FwzWUigzUJM7xwnjtUrcMdXfnuy-zDR7msDojYnYWJpH1rVtP2cj1tV03kVm7WNt3xxNLz91UBTsSFSA_JIQCYvyB6HH4RESFrB7ckAYCpNGy2txfI4lJTbBrz7uWAEpRQfDQbRdH-UaQ55kn2DMk48SzvkbtDxEjn_ZvdJwe-fUCO9gPX7UPyfbE2nYNYklY9Gahr6aql53_OBLym4A70bTwRSbtAT5rTgS9Pq8Z_bbpvv3783J6kzSmdWyRC08WQimlLobJ5JH1Q3Tp6FpdSse6BD_OIfF4uPlVnyZBVIbEQfFwnmXbBlzBry9JYHpSVVgWnALcBdnLQeVkulJcQiihjAa1plPNhLjgtROlgBHhMaF4yzQIzLLc52JfLzCrLhIFgKGiryglJd91a20FrHFNeXNaAOdAmdbRJjTapo00m5NW-xKbX2fjHs2_QUvvnUCE7XuiuLurBT-qSmaxEPTyTO26M1wKV3oJwXCpmvJmQFzs71_BH4TaJbn13s60BlCkY1jJZTEg5coBRi-M74KpRm3twzSf_XfIpOcIvjXxB9Yzcub668c_7TBXHccHgOLr7byNXB5Y

   by Olenina, Ana Hedberg; Papenfuss, Jason; Amazeen, Eric L. and Eckard, Bonnie

   Frontiers In Psychology, Volume 10, p. 2277

   Journal Article : Full Text Online

3. Michael Chekhov Advanced Masterclass at Rose Bruford College of Theatre and Performance (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3LbtQwFLWKZtMNj2nFq6C7QF3VTPyYxJGqompghEatoKgsWFWOH0pFNQNkQOqOf2DJ3_El3Os4HXXDgq2tRI5843t8H-cw9qKWwYdSlNxFOeXaasNNdA0vGl36oD2x1lFG1yw-ybMPZj7LAbcul1UOZ2I6qP3KUYx8kq4Wmvztqy9fOalGUXY1S2jcYSOlEBinZK25ibEQNbsxfWJZa45QoBqaeEwxoTEawkuixKEKbzK3gGZPGpX8zPweuxxWmIqsX_ZFJn244Vb19UDj-P8fc5_dzWAUjnvrecC2wnLMRskQxuzhSQ5ldrAPJzfsy92YjTdYE6eSTnq3w34ftke5CB9mbfjcrn4cTtojOM5VBnBqiZTBEVwHuwbSdAQ0Laquhxy_gFWEc3IP3wLYpYf3m7YGWHy_ugYxXbd_fv4S9boFBBX1AVzhm5trXGBn4bUljez05MIu8QiEd6mX-XKXfZy_OZ-95Vn6gTspyjVHzx0VQiUhIkLEKIyXsgllMCYYZbVXKhpf-do6ojZVpTBWFbIuA6I7SaDnEQNVFbaIRVMop9AItRGudsW0QcQWraurx2xv2JyL_ON2F5udefLv6adsm-wmRWPkHhtFnA7PekmJ58kM_wKF5-Td

   by Condron, Aiden

   Theatre, Dance And Performance Training, Volume 11, Issue 1, pp. 108 - 110

   Journal Article

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