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1. The allusive comedy of Kingsley Amis' L.S. Caton

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LSwMxEA6iFy--wWotOQiedt1Nsk0WSqFUFxEvaqV6WvLY0EOt0sfBf-_MPsQi4sFjDhN2J5PMfMM3M4Scp9al4AhE4IQFgJJ6uFJSykByw1zhEus8JtzG6vaF3T-obFizCRc1rRIxtK8aRZRvNV5ubRYNIw7wOnqh6BnQHRMh-BwuEnyFIdhHux5l468sC3rDbjlgFYUClGrKeH7baM1BrbUv_fFclz4o2yXT5utLAnZYEVCqVMQaM7tp8fivH90jO3WsSgeVce2TjWJ2QLau5vpVHxIJBkb1dLpC_ju1WMT_Qd887U36OCcFc-F0AEbUu5z0L-hd-BjSIQD82RF5yq5Hw5ugnsIQWAgOlgFzIlFOW8O81Jwzg2ULLlEGAl6AO7qIIhM5CDy8VV0dJ7bQnCkbC826PhaGHxNaaO-xAtd5hJ_e4bKwRlslOZeMtUjY6Dx_r7ps5HHdvLRRQo5KyGsltEj6_WTyZZne8NUskpz_IdtujjGvLyyIRKmKBISr7OQfW5-SbVyWdF7WJpvL-ao4q8ZMdJBHoDqleX4CMkffCA

   by Taylor, James Stacey

   Comedy Studies, Volume 15, Issue 2, pp. 208 - 225

   Journal Article : Full Text Online

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2. ‘The Nation Rejoices or Mourns’: Literary and Cultural Ambivalences in Wendy Cope’s Making (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwjV1LS8NAEF7EkxffaH0xiPg4xLZJmmSlFEqwiLSIRameQvYRWsGkNPVQTz35G_Tv9Zc4m02r9VKPCzsh7M7ufDM7Mx8hJ5QLiobANoTN0UGhER4p13UN12KmkKLCRaQCbh3v9tm8b3sN_yfe8fcFn1pFqctZizJ6R3iCl20ZIbJyy--epleuhTCRTqkKPDRis-6Mf8XnrI-qaNNZj5kxaazpAr-McUxlUl_qTBIdU5hLsf7Vq3HhH6-T1RxbQl0rwwZZkvEm2WnmEckUTqE5a6KcbpGPyfgTtQR0a2xoy5dE3RqQDKClPpVOxl9XuchgBGEswM_7dED9lfVQR7MkbOjF0JGxGIGf9CUKpdDKOK5wzJMQEBZDtVtT7CkqQo6yvbRa7NbgvEw952KbPDauH_wbI6dlMLjpeEN0NjmCOBqaZccp2dJ1JCsxTwgEK2aEiAoBmwwZNTmjrIK2kCm6RYcrWmNbcptauwRkGEWqJFdEyh-NhBpKzkLuuZblmmaBnE33KejrthuBfi63gnx5A728BXKM27hg0t5_Ju2TFURDVOeqHJDl4eBNHmqOiKNM3b4BY4PZTA

   by Waterman, Rory

   English (London), Volume 68, Issue 263, pp. 325 - 343

   Journal Article : Full Text Online

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3. Adulthood, Power Games, and Making Faces in Kingsley Amis's Lucky Jim

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV1LT9tAEB5RuHApz5bwiFYq4hQTsrvO2hJCShGBohACLap6sux9KLyiqoEDN_4Gf49fwox3nTaHqurJsjy21p7Z3ZnxN98AbKfapLgRyMhIjQFK6nBKKaUiJQpurIm1cZRw-56c_uAXl0n3cAY-VbUwlHjYvRn6-DB8vCZ1yJXyHcxhfCLIjM-uBpPlVsTK15ns0XLbTgORpohFU1tiFmoRSWFLTm08Hns4ne-YXo1F2GK6C9CvBlfiq3c9vsRnGqaA1xWD4z_eYxHeB2eTdfyFJZixo2Xq0xwwHcvwsRfSlWO2w3oThuXxCvQ7RMxBnMcNNqBOauyY8LQNlo8MOytbWLEuwbnY9YjtDw-oNwrlv1kHDef1-WW83xwesN6jvn1ip9f3q3DVPfp2eBKF3guRFoI_RBI1JVxa5O0cA8DCxTbV2hZa2cS0EiWSvbwQ3KU0_1uqcMLirme1RYdFopoLsQbM5s5R3a1xFHQ6Q6dWF7nG-4XivAaNSiOZDozk1BjjLit_s8UiQwVmpEBC3ska7EzEf3oqjr8JfijVO5Hi7VgRCU4Noj_0nYXZOs68XrKv6F1i-JQm6NSVoVMNNiuL-C3MqfYc_VKp1v_zcRswT2P0YN9NmH349Wi3fBOKOsx9PuoPLvHY-3Jx3q-jjfPzemnpb06E9do

   by Eckert, Ken

   Cea Critic, Volume 79, Issue 2, pp. 177 - 194

   Journal Article : Full Text Online

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