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1. Between Troubles and Peace in Northern Ireland: Cinematic Divisions in Kenneth (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1Pb9MwFLfQTrtMMJAoG5MPCG2HqLbjxMk0TaKFChA7gIoQp8ixn2lEm05Jq6k3vgZ8vH0Snp0UViTEhWv8FNl5L_bv5_ePkGc2VdKKLIm0c2kkAbJIK6mR8_gWV6mLJfirgU_Z28_i_YdsMr7T6svHhHXlgbsPN8xLPOEsc4jTPRdJtDWMOX99ohQwDn73RVZ-h0yF2xUpVJqrrpaPkCob6nXrFmgTyL388M4xFKr170DMg5vgrLbwpVlvVlvnaDhzJvfJQQ8W6Ytukg_IPagPyd6kmi8OyVE_WrUL-pzu5Hm0D8mPURd_RafNcl3OoaW6ttTvf0CrmgZvDTQ1feNzWWp7TseINkP1Vvqy6vLNWy94MbvsM3foqPGRMrPbb9_bi-Hsko5g7nS7oqe4Wn4W3j-FptnQd0tdgxejV5X5uimXYewKvCSTZ4_Ix8mr6fh11LdhiEzM41UkpWFIuSF1IjcmUTnw0gDXVoNLuUXIoRgoLl2WCyMSw7k1QnAnVWq1BBs_JhRKCRqUjZlNpTKIklClQkGO7IdlZTwgp1t1FNddmY0C6YnXXBE0V3jN-QA8OSAjr65fYr4-dniAVlP0VlP8y2oG5Hir7KL_adsiRmyVKcRLyYAkfxjAb6m_TAtXnKsn_2NuR2Q_mGlIeDwme6tmDU-7XhUnwcp_AvTVAP0

   by Paris-Popa, Andreea

   Acta Universitatis Sapientiae. Film And Media Studies, Volume 22, Issue 1, pp. 97 - 121

   Journal Article : Full Text Online

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2. Between Troubles and Peace in Northern Ireland: Cinematic Divisions in Kenneth (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV07T8MwELagLCy8EW_dgBAMgdRx4gShSrQQAaIDVSXEhJz4oka0qZTQoRt_A34evwTbcQYGFuY7OZHj3Mvfd0fIsQw4kzT0HZFlgcMQQ0dwJlTOo0dcBZnHUJcGnsOHF_o0COOeLV1UFlap7PZ0bKx0w9u2u-hYWKW5O42Ub44WyZJuUa5nNgz0fKamuMIorwerUOViHT_ShPYls24NczTeI14lSfNcA50-r6EjdRHhF6a6ac74j1dcIys2toTrWmedLGCxQVpxPp5skH0rzasJnMAvWki1Sb66NVwLhuV0loyxAlFI0OYSIS_AXO5gWcC9pr4U8hJ6Kjg1zV7hJq_p6ZVWvBp1LNEHuqUG1oy-Pz6rq4tRB7o4zkT1DqdU-fszs_4Qy3IOj1NRoFaDfp6-zZOpkfVRa7rsbIsM49th786xUxucVIUmTsB8L1KJb9YOBaduKlQCF0XoZ55oYzujjHPkCUNfBEmq7_i4l4SBFJ6QHFkSeTsEUMkFcum5MmA8VTGVdDPKMVK5khsm3i7ZNh_g1f5v1avd672_BPtkmWregqmdHJDWeznDw3r-w5FJw4_MAfoBsfLN6A

   by Paris-Popa, Andreea

   Acta Universitatis Sapientiae. Film And Media Studies, Issue 22, pp. 97 - 121

   Journal Article : Full Text Online

3. Academe and academy: Kenneth Branagh’s Love’s Labour’s Lost

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LSwMxEA6lHvTiG6wvcvCgh-2-0iQrpWCLS5FeFIt4WpJNQhVta1vv_g3_nr_EzGa7UBBEvG0gLLPD7M5M9pvvQ-hMUUZUxFueMIZ6RGvuCUaE7XlA4oqamGg4GnjgN4_R7R1PezWUVrMwy-EJGEqdlCypPsC27TfYL_3rxEhiTv1nYaZNgDM37Zub2S5ozcZbAkoG_e6wOmuBNogW2qLAS-nBbGfJ8vPDPVYS1Hplj6OQKrJOuoXelvYWkOumg5y4w4cVLPaS1PH_j7aNNssSFV-5mNpBNT3eRfX06eV1D_Udnl5jMVZYuGmUS9wedcr5HtydAZ5m9PXxOW_7ow4eWBNggQcAgZ65y8l8sY-G6fV9r--VYgxeHlK68AijJJQ5V4wmkmuTMwnKPVqywBgpwpzbJlsFNAHCv5YWsZC2souE0XFgZCjiA4S1JFpopuJAUcJyWyupwERMJ7YHCriMG-h86fps6sg2suKPG6cZuAMWUVa4o4EuKn_-tvfwD3uP0EYEibsA5B6j-mL2rk-cUMRpEVTfWPDYWw

   by Wardle, Janice

   Journal Of Adaptation In Film & Performance, Volume 10, Issue 2, pp. 153 - 168

   Journal Article : Full Text Online

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