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1. Colin McCahon and Imants Tillers: The Care of Small Birds - An Ecological Perspective

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LT-MwEB7xEKgcFihIvOUD17RO7CYOQqygtAIkUHmLC5GT2CoStEDgwG3_w_7D_SXrcWLYCmm5cIwTJ7Hm03g8rw9g02yxLJPouWeSeVxI6aU0116qfB1Q6euWdV1ci6Ob4PRMdNtjcOJqYTCt0ulEq6jzYYY-8qY5qLCI8ZDGPx-fPGSNwuiqo9CQFbUCRmhasRiHSd-YMkjlcOzvv_tcjDXMeFVwxM2fGTy7oh5BmziGQ5jvFTXM2Q1jFCPb1Ugz00_K2-5I3Vl4c2ux6diNMh2ldEyM5Gm7ho_ft-w5-FGZsWS3xN08jKlBHaY6tgX2Wx1qPceQYC6mXdpzHWau7orXcl6xALdtZAwix1lb9ocDIgc52e7vHD5gag65sEWKxXazv7NFDJgJVkqRoSbnD_L-nuzdPecF-fPrN9kdkPK7CDfS-ygeXYTLbueifeBVfA9e5mMtlWqFIs25FpoGUsaxsfRo5kcilprHSivFMsp0nioVGsORy4DGkbE-_ChUoXkiZUtAmBFbTkOhuQq4ktroUBZkUSRTnRlbjy9Dw8kzeSz7eSR-1SbVASBBACQVAJYh_lfqyYt1pOiS9SRhX8xdc0JNKtVQJB8SXfn_7VWo4cusvydYg4mX51e1XnJWbMDkXuekd7Zh8f0XJhgBrw

   by Sutherland, Bridget

   Australian And New Zealand Journal Of Art, Volume 17, Issue 1, pp. 17 - 32

   Journal Article : Full Text Online

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2. Magical Appropriations: Barry William Hale after Imants Tillers

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV07T8MwELZAXWDgLfEoyANrqGMntY2qolIRFSSGogrEVF0cW-0AlEYM_Hv8SisWBtZ4sc6X--4-n-9D6NJCLFPgmHsGLMkEQFKSyiSlTg0lkJrcUxcv4uGVjp9EMYyEWx3bKpuY6AN19aEcR96xrpUJC4Y5v1l8Jk41yt2uRgmNTdRixCKv9Wc-XpU_TOY552RVgKVO3Dukw-42IIxpXMdfGkGl2EXzZju-o_oqdJQEbuFXq3Uzs_H_O99DOzHzxIPgKvtoQ78foO3nef0VvtaHqHgEHwjxwE0aXyzDsdXX-BaWy28cuRk8sqCCvbg47s3692-ulQZP_KPCuteZ9Y_QpLibDEdJFFpIFhavE11lspTC1jJp2pWKMpvkUbCZQReIVhxUVoLOjaKV4CAlVM6wuXL8KeRKKHqMMGOMVKQrTKZppsHY2MWo4hxKo2yOlZ2gdmOcafxL6unaMqd_L5-hLbsdGaiPNmoZu6zPg37DhT_zH5RQt9s

   by Jorgensen, Darren

   Art And Australia, Volume 56, Issue 1, p. 24

   Journal Article

3. Imants Tillers: written on the land [Landscape paintings that draw inspiration from (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LSwMxEA4-LnrwDVZrWUEUhLXbJN3dSlUWabGCFMUHnkI2m7QF7ZZui3_fmU1rrXjw4CWHnTlk85j5knwzQ8gRuFimJN7cM8lcHkrpxl5i3FhXDPVkxVTzq4uX8PaV3j-EzesFcjONhcnZ7mgbcystB4OsnKSqHAHyhaMI-M9yI2rdXX2rnjG-QP6zGGi8W84WyTIgdD8P5WtEX-8JWNbbAmF8B8AEjT8N8CyCnk2cS3OdZF_dQmb1mWWW2DuGOcr1NHfjf_zBBlmbYFEnsotnkyzo_hZZfe5lY_s12yan9e5l6x25Ms5jHjWY1cvdy3PnY9gbAdp20r4DCNJBeuQOeWo2Hq9v3El5BbcDXp-6KtEqSCTzE-OZauyFXFGuEsa5rOnQhzNzEipZCYLYZ1JREwfIr6JcYw65Wk2xXeIwxrzE80PDNQikAZPFqAoCGRsF0IoXyAkOhcDdMhpKJSek_7SvMe-UmI1KgRzPaXZs1u3fFItzirAd1Jz4cDqlAkXIIevrdJwJDBZnHOwN6FzhXAuAI7Cj84kTSMgVNlktSNJhR4BPEXBEYqzii55-A2WB1AHMdUH3_trbfbJi-QbMpbRIlkbDsT6whSdKZDG4b0HbitqlfLli225-ArI891o

   by John Barrett-Lennard

   Art And Australia, Volume 48, Issue 1, pp. 100 - 111

   Journal Article : Full Text Online

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