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1. Erwin Panofsky’s Iconology Concerning His Biography as a German-Jew Scholar

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwjV1NSwMxEA3iyYufBb_JQfQUux_JbgqloGur9mS1Ip6WZDehIixiK9Kbf8O_5y9xZrO2qx70HgI7zGbem0zeI-TAj2ORKR4y7euccRMYpiPLmVVWiDALPGOx4XYn-_fB4Fr2knm_48cNPhTbZqFGiqHJN0O-gIdtK0CPhsHZLHF8DqBezOusANQCuGB2nRB5vJRj9gG-w9_NZaXe-Hv7WnWqlZneinv6V3qR4Yz1sZsxcd2Gb8PXNRXHP79llSxXqJOeuDRZIwumWCcNJxEypYcU9WdV6fE73SDD9qjTRWFgeqUKqJGP04-393G7OerQS3zGjKtogs8dy6YKhW3o6UMlfU3VmCp6jud9wfrmld449twgt73uMLlglfkCy6DkTxgyPyFz7WVSQ3B1bIVsca2EkCaKTJ5LX1luubFAmLTMwxyAIerZofanFDLcJDSOfS0VcHfdUkAcuTKe1doC5ASYkGXhFjn6inb65MQ1UiQlEKoUQ5ViqFIM1fa_V-6QpQAtej3BgnCXLE6eX8yec3rYL5PmE4IyuqY

   by Harel, Yonatan

   Naharaim.

   Journal Article : Full Text Online

2. A origem do gótico nas idéias de Erwin Panofsky A origem do gótico nas idéias de (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrZ1LSwMxEMeDePIiioJvcvAauptNTIRSqKWLCoqKIJ6WTB62iK1t9eBH8tyP0C_mZLNCb4J6SSAhDyaHmX8YfkPIca6UtEYUDHJwTHjuGZwEwYIJUhaWZz7ED7cHffnIb-902Vsq9RVzwhIeOBmupRVYW0TOuARhdQZCSm9QKQeTOwc1vRRV-ZKYSlRvDNR5yl_kMf0gYj6_ofy88R7lBllvwj7aTcdtkhU_2yKTLo11qfwLdWP6tJjj3JiOzIwO3eJziL3ztD3o9COkl96YEfqr5492a9Chv124TS7K_n3vnMU7Vq-JNFFF9nM9gBapGotUP1mk2CFUqRy0QdUMpwYlmzA-CwABgz100Lh6l5z9_aC9_9hkn6zxjDcZIgdk9W367g9TZYaj-k2xveLXX2rfshw

   by Vinícius Sabino Gomes

   Escritos, Volume 20, Issue 45.

   Journal Article : Full Text Online

3. Felix Horb: Notes in the margins of Max Dvořák, Hans Sedlmayr and Erwin Panofsky Felix (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwtV3LSsNAFB1EN7oQX-Cz3IVLQ_M0qZSCrQlRsNQqiqswk8zQ0DaR1Er7KS79Bj9B_C_vZCJ050LdDswd5jLMOedyOZeQY8N1nZjalsYMlmg2N7nGToWtCSocx4pNnQtZcHvwrh7Nm74XdBZGfcmeMGUPrBJX57oQuitYIgxuM1Qjice5nJHtuBhGxPL3RVW-IKbKPxhh35Djr7-N-K0KMYINsl5RPThXR2ySJZ5tkbX7dDJVq5Nt8h7wUTqDMC_YGXRzpH2QZoCcDMa0kKVgyAVc0xlcvOSfrx9vwxMIEVvgliejMZ0XQLMEmoOWL318oUczhLThvFkftODfIu-Qy8C_64SavHP0pNwqIukfXS5gVqMqq9FPWbV2CbiuwTyKyps1KMo-m-ImxgQSRgT5OLb2SPv3B-3_RZADsoo8pqG6TA7J8nMx5UdqukONrLT9bq9fK9_HFw0Qzos

   by Peter Gillgren

   Journal Of Art Historiography, Issue 21, p. 21

   Journal Article : Full Text Online

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