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1. Constantin Stanislavski e o estúdio de ópera do Teatro Bolshoi: percursos e pensamentos (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LS8QwEA7iSQ_iC3yTg9fSV7JtZVlwi4t6UxbFU8ljSuurZdv6x7x53T_mpCm4Nw967NC0YSZk5guZ7yPkHJKQgda-k4S5cpjwpCM9GTk-kznEvuIBmG7kx_j2Kbi7j2fpitSXuRNm6YGt49wIkkThoowkCOblOsbtFBRTLFQ8F6OevRRR-QqYeu5JXLDMZ9zSDPFkxF0_NppaAWJBLwlMx2ivfP5D09_nk9k22RoKQXppJ7BD1up2l2w-lE1nrc0eeRsXk9TWb235To3gb4kR_GheyrFbTCjQiuKmvvzSZUU10OVnDQtBdUXnYI646bR6bYqqvKBoVx2W1g2OqRG4CnMmiE9NhYh4GLdPbmZX8_TaMbPNastCkRle6N6A3soGb2W_eSs8IDTiUgjMjQpfYZjgpfAZZzqMNGjEP_yQTP_-o6P_-Mgx2cBQWfpZ_4Sst4sOTq1qw1kf72-zM7n3

   by Rosane Faraco Santolin

   Da Pesquisa, Volume 7, Issue 9, pp. 31 - 40

   Journal Article : Full Text Online

2. Constantin Stanislavski e o estúdio de ópera do Teatro Bolshoi: percursos e pensamentos (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LTxsxELZCe4EDKgWJVysfWi7LiuyLZCtElacquPAIIE7R7tooy8s0TpD6u6peuPLHOmN7NxaKEBGXVWxlRrvrb-0Ze-YbQr7xOAg5Y54bB1eZGybV1E2rac31wvSK170s8jlmI1_UDy7945N6t1Wp_CtyYVQsM_rn0nwqU7IcMF8V4xv_FBWmfubmYB33l6pe--yw0wfft7f1CCNrtWHQiy9w63vQfS9eoA8Qg_m3M2CmVAod8BuQA1fADlzfhJ6WNhtHuSrwe58DcB7lTe5wRziwjuDxerPBcuEwsFGxETzwYeIwgRTRo6FwmuJWDgTG3yEzcjYGu16CNLxJmeCGJLSkAHfckrbt5HbjiMvf41yWq8YpVjs21eVPhEzAOO4i17Sw9y08RSJrjmD0VFtXO7Nmv4NP6TPzc82CYWzNtZosxqzamr325XoQxbtInYFqUStMb7GP2cKFqM2-_WJVLGMVwUtCNf0pSubIRx8tLMuTv1YMQuBjqvLY5fNovivUszNFj2UT6ShcZdz0PpFF45XQhgbCEqnw-89k4TyXY90rl8nd3mB_ggpqo2JvZ7BPORUUkPH8BKigjNPnvzimlAmqEUENIn7QEg8gY-GBKjwYuRUSdDu91i-3uOP-g6ZF6b_yooJVQmtRmiRgkmU8ARMcvKXEC6OQBTXGGbjd0RrxS5WZ4afHMim3ryleI9uz3Mf6bH_fIPMT5G6SD6PhmH_RVUO-qiH_D05_hb8

   by Santolin, Rosane Faraco

   Da Pesquisa, Volume 7, Issue 9, pp. 37 - 50

   Journal Article : Full Text Online

3. “O trabalho do ator sobre si mesmo” proposto por Constantin Stanislavski a partir do (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3JTuQwELWAExfEJg3bqA6Im7vbbjtxJIYRatFCcEAgJDRcWk7iTIfNrSQgcYP_YH6OL6HKCSPOXBPFVlyV1CuX6z3Gdl0yVC7PBU-GRcaVHaQ8HaQxFyotnBGZlo66ka_MyR95fmHGoy9SX9QtgTk51XKr0t_Ynqv7tD2JL9H3tsTl_J35vPzrf-kh_km1mWfzJqKzXOPT6_-bK4gjZNcMmRjFkwGVKImwUdKGR79qeNF7MqXsqaAc1E3askSFwDJeZksdIoTD1oQrbG7WrLL1lr7jGfaAuGFt0N99XmOv7y9vZ9BQIf5u6iH3QEkz1B4zW6hLuHf1vX9_-QczUj_AIQDxNexPD0YtDmzKByDh4BI94am-Lff70wOwMCMHqmi4oIzj4cFWgRI8TFH50FgA1SPacp1djo8uR8e8U1HgWSI1jxx-dQhKIl2YXMvYKmljXRRCOJkZE2VyYNNU2UhnSooi1tYZYoCxUkRWYIj7wSDWqbUYTTNnET0h0MUbWuXDOHc5Zkx6g-luCSezliNjQqzVn9c-bTlx9QRRerAPpjFKb37zuS22iLhF06kSEW2zhaZ6dDutmsPP4Agf4uPA0w

   by de Gusmão, Henrique Buarque

   Territórios E Fronteiras, Volume 8, Issue 2, pp. 291 - 309

   Journal Article : Full Text Online

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