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    1. Max Bill’s concrete art, as an instrument against irrational thinking and arguments in (...)

      by Wolf, Gunter

      Postgraduate Medical Journal, Volume 101, Issue 1191, pp. 87 - 91

      Journal Article : Full Text Online

    2. A multi-analytical approach for the characterization of modern white paints used for Argentine (...)

      by Learner, Tom; Marte, Fernando; Monkes, Pino; Niello, Jorge Fernandez; Castellá, Florencia; Mazurek, Joy; Pérez-Estebanez, Marta and Tascon, Marcos

      Talanta (Oxford), Volume 208, p. 120472

      Journal Article : Full Text Online

    3. Concrete Parallels: Brazilian Concrete Poetry, Concrete Art, and Neoconcretism

      by Tornatore-Loong, Maria

      The International Journal Of The Image, Volume 11, Issue 3, pp. 1 - 50

      Journal Article : Full Text Online

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    1. Martin Vosswinkel : Dialoge des Konkreten = Concrete art in dialogue

      [Herausgeber, Martin Vosswinkel ; Autoren, Rainer Bessling, Barbara Leicht, Christine Vogt ; Übersetzungen, Joan Leisewitz].

      Book

      Check Holdings for this item's availability Library Service Center, N6888.V67 A4x 2014 

    2. Purity is a myth : the materiality of concrete art from Argentina, Brazil, and Uruguay

      edited by Zanna Gilbert, Pia Gottschaller, Tom Learner, and Andrew Perchuk.

      Book

      This item is currently Not Available Lilly Library, N6502.57.C65 P87 2021 

    3. Finding nothing : being a treatise on absence, neglect, how the avant-garde learned to see (...)

      Gregory Betts.

      Book

      Check Holdings for this item's availability Perkins & Bostock Library, PR9190.9.E97 B48 2021 

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    1. Maps and Art · Mapping the City: A Stranger's Guide · Duke University Library Exhibits

      To provide a concrete example, landscape paintings in particular show the difficulties of articulating the separation between maps and (...)

    2. Among Friends - Winter 2008 - Vol 9, Num 1

      And it’s true—the dim, concrete-floored Perkins basement is only a memory in the very 21st century Link.

    3. After Spicer

      We forget that for art to exist an artist must always exist prior.

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    1. "Concrete Art in the Expanded Field"

    2. Aden Hachman, Barbara Woitawyzk (sp?), and I. Cotright (sp?)

      Includes aquatint: "Blues Series #2: The New Colorstruck Blues" (1978), Untitled Artist's Proof (1978), and color lithograph "Concrete Manual" (1981)

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    Manuscripts and archival materials

    1. Future measures in Atlantic literatures (1868--1968).

      Archival and manuscript material

      Check Holdings for this item's availability Library Service Center, University Archives

    2. Affective metaphysics.

      Archival and manuscript material

      Check Holdings for this item's availability University Archives, Divinity School Library

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