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1. Cinema Novo e música de vanguarda do século XX Cinema Novo e música de vanguarda (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3LSsQwFA3iyo34AnVU7kLclWmaTJvAMKDFoi4ERXBclaRJGMFamc7MP_kLbufHzKPCuBLUZQJ5cHJJckLuOQidcsMSrG3wSkEsQVGsiqRO48ieJsYJI9OBt297ZDdPyd09K_IVqy_3JyzIAwfg-oQKTTBOY2Y4pZkSGCtjuEyZMFoYn0duWfkXmQp7cEoy7xxpGXVi48CZoq8o8vujo9hCm92dD87DWNtoTb_uoF5X_dzWcAbf8jTaXdQMJ6PcXgBrAbfNohn2JyPQUC8_HKigNCz8O-NU2UID7fK9mr80MB7DL9vtoevi8iG_itz8y7cgQVE6UWhfYaEqO6jKn6Ai-wiyTJFKUkYk51SlWMaG0aTiwijBBRscoIu_D3T4H5300Iazdg-_ZI7Q-mw618fBsuHEL_YnVNO52g

   by Luíza Beatriz Alvim

   Matrizes, Volume 17, Issue 1.

   Journal Article : Full Text Online

2. When Violence Appeals: The Circulation and Reception of Brazilian Cinema Nôvo in Italy (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV3dbtMwFLam7YYbfsYkCqOyAA24SOvEiWOjadIaGq2Ide3GNriKHCemQVuKuoJUrngHXoU34E14Eo7jBBYJCXETK85R_s459vns84PQE6G55-YgvKmkAFAyrpw0Z8SB2USbxMh-UJVvO-ev3nnTYx5Ha-hxEwtjFh56H2YWH9Y_ry98gCGAyzcAn1Ajxoenk99bBZ4NBSZcePAERmz6IE-Eoq-LWa8yelqTTj30Xl_qaA_EXj27xLfQuHmvyrW6Z11L7CJDy-e6Sd74j0-4jW7WdibetxfuoLW83ETrcXFxuYm2bG6QFd7BJvGsrIr7ru6iCxiZS3xWByJhMFDBirx6gUGUcFQsVF3pC8syw2BuWn8YPNd4sJBfCrNegndnexHYrZcSj398_zzf7c_2cFHiEZj4K_wM9JD8_PoNGv58C53GwzfRgVNXY3AUZeHSYZT4gLwDlkoVKKYDX2rlZlwrRVKupR9kGuATUUDhhlmo04zllEtXBRowV0jvIRyGGVWpz2kqhJ8xNyWa-54SUmdSSB500KOGT8lHm20jAZRimJkAM6udcreDnhoOJkYDlwupZB1IMC9zk8sq2edmd5i7RHTQTovyvc3k_TfC7RYhqJhqXXauCUtSa_lVYpmanJjaS1SQwPNpFaQPt2vE6Q8xBduKC-Yzev8_b_cA3fDAlLKebdtofbn4lD-0xSu6gAXoy-oYd9EG4IJ4ZNrp2eAt9A6GEZwNhuPJMbSvR9OjMfQeekfdSoegbzI9OIl-AUHGECo

   by Gelardi, Andrea and Zilioli, Marco

   Film History (New York, N.Y.), Volume 35, Issue 3, pp. 121 - 155

   Journal Article : Full Text Online

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3. Cannes 1964: marco do engajamento dos críticos franceses ao Cinema Novo Cannes 1964: (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrZ3NSsQwEMeDePIifuG3zEG8le022W4iy4IWi8oiKIJ4KkmTuAhul636Oj6BT-GLOdMU3ZsH99YUOiFDyHyQ_v6MHSsvk67DzWs0xwLFyjIyLo0jjCaewMii18i3Pcjrx-T2TubZnNQX3QkLeODguI5zMulLx73mXBifqNhgPiiUtEKmypZ0-mJVPldMNd0VwpY02sgY0VL6LSj-hfLzNnrka2y1TfvgLEy3zpbcZINtj9pmYQ0nMPrhG9eb7CPTeP7VQByrUyDcRAW2Ajd50s-a-nk0rKGcfX2iQXzypI_havxEVzAYDzNMHl803FTv1aAzHsKC7W2xq_ziPruMaK3FNBArCmJINy_Qs0Xr2eIvz_IdBv2-5aURkhulhE27JvZSJKXS3mqlZW-Xnf9_or1FGNlnK6QEH27SHrDl19mbOwwKD0fN3vgGGPvGZQ

   by Belisa Figueiró

   Significação (Ribeirão Preto), Volume 50.

   Journal Article : Full Text Online

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