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1. Carnarvon Gorge: safekeeping a place and Indigenous agency within rock art research and (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV3dS8MwED_UJxH8Hs4v9uBrtqVN2wTGQIdTfFKZiE8lSS_sYWwyp-B_b5ImY3uQQd-aa5vLpZfc_fI7gJtKaEYZ5QR1Zgirqpw4XjO7VcmNypVC7oM57_zpI3l55cNBANF8BVilxwX6LL5dIKkJdhi3fl507c58mzNnuuJutEwVcB5P4yTEuqMiHtNxBNqpzxsVDsEl2o45K3NlJFcc0Bo96Tok0TuY4QE8x0_z6Op2jS6p4wxrsOvI37ixF4ewHxabrdvaOo5gC6fHsLdSG-H3BBq9cX8gbbv5z2zaenAR8l5n3D-Ft-H9aPBIQrEEotM0WRDMBbcTkCIaRGS8i6KQys1fe2VGFphJ-zNJci40GkrRZImkspuppNLayPQMWrmy65NUc64NZXZwJaNSCNsCVUW11k1gUXWlDhTirpLFpKSRaTRovHQaL4PGm9Bein3WHBqbBMTquJQLH7wwdaWRMt0g2_CaX74pqv38vxsXsOse4FGM7BJ2FvNvvKprQ1x7U_sD_lPKEA

   by Giorgi, Marisa and Taçon, Paul S. C.

   Australian Archaeology, Volume 85, Issue 2, pp. 184 - 195

   Journal Article : Full Text Online

2. Pioneer of leucaena development in Queensland, Australia: Nyanda, Carnarvon Gorge

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrZ3PS8MwFMeDeNKD-Aucv8jBw4SVrU2WpjIGczjFgzhR1FNJXpJNkU5KJ_jf-9J2czcvHnoJ_flNecnn9fUbQs5MAjzkoQwsdF3AjRGB9zVDVBFOC62tLJM5z_L2NRo_yNFwZakvXxNW2QNXwrVjZxx0HAMpQ64VIF5oJiCJIiuYNs5HX6TyFZh6rz6nRVzy2ssHQUy2i4krmvE5YyJg_m-UlWFo4dYf1cPKaJts1fNBOqjuY4es2WyXbA4mee2JYffIy713E7I5nTn6YeegbKao-S32oW8ZHZc86qsUW3SZvrigd98-UdCivWl_qPBC-dcso9c-C95rT_v75Gl09Ti8CeoFEQJA0CmCbghCxBoJpqO1YdLE3FrAUAdRKBzGHoWRV4DkrkQDz0ocj4kTlWBrN2YHhAqNcxCvJjjU04LioUqSro6sNiEANEhzIUz6WRlepB4UvIap1zCNU9QQN9kgl1645W7eqbpswMdI6_5L_-q_w_84yRHZwIlMXft1TNaLfG5PquUdTssX4wf2k783

   by O'Neill, Del and O'Neill, John

   Tropical Grasslands Forrajes Tropicales, Volume 7, Issue 4, pp. 336 - 338

   Journal Article : Full Text Online

   View Article PDF

3. Visitor books in the management of rock art sites: An evaluation using Carnarvon Gorge (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV3dT9UwFG9QXtTEDzTxgpI--Dqx6wetIZgxt8sVudPtcolPS9duAiGA7JLoi3-7p92GEhONiS976LqubXra3zk95_wQemGVYYQRGdSGNwGzVgQurxmoKqKpRFXV0htzDuW7T-HHXKbxEtofYmGcW-WwJ_qN2p4bZyPfUKEETQTw4JuLL4EjjXKXqwODhu6ZFdwFDVfyFlomgGQck8M-eXt9qQBIyKNh6QgNWChugMohfp72R0v6AH0dOuX9ql92fiWdheGGw_WQufG_9f8hut_DURx16-cRWqrPVtC9X9gTvq2gu_Pj9qqr1D5Gp_NJMZllOd7Jsr0CT6Z4tpvgn8QAOEtxnsV7GJAyhppJ8RpHU5zMo_cH3h6GHdPHGG8dbcdRPo3yORSNs3ycbG0cbeOowBGGj2Y4jorkCTpIk1m8G_SUDcEFFXwRUM2MJrUlNtSGv9LGNpZRywxn2iqiw1AaohqruAUgVSlrLNGV1UQ0DeWioU8RFhWgJGqkNA1hsMQ0I1opXoV1ZYkxZoTWhhkue4Fry-vpHSEnIYsSoAZIa7ddlF0SWig9v_xcwllRgupDKRHlcX0KFUvQEjedpsw3mQs1HqH4X9oYXvzWCvXFTqC9W91Ze6IX7V_-vfrH0a2hO96o7YMhn6Hbi8ur-nnHY7GOlneS6Yd83S96eH6fpD8AYY0M9w

   by Natalie R Franklin

   Rock Art Research, Volume 28, Issue 2, pp. 251 - 264

   Journal Article : Full Text Online

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