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1. Bossypants

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwY2BQSTMD7fY0N9E1sTRL0TUxNrLQtbA0TdY1SAIWholGaRYWKeDNyRZekUaBQRZuzkwMHrC9MODV7qCyEVxKJxYUFOun5CfrOwJTljmo6jbW93TzdbVHuj2j1Ba0_jm-IBU0tlzMzMBqCszD4K18fm7wrhewVoXcTGgByt6geU8W2OI3aFXiJsBQDHcEaB21HmQdCWREAWWBNeykRmq4V5CBH9ryVHCEJBUhBqbUYhEGQZsMOydgPVlZAFoPY6OfYSfKoOzmGuLsoQuyLh6U_kqKQJcTFSfHI6wzlmBQMDFNSUtJNUoyN01MAXZokpMSTZLM04AtOaNUkzQLExNJBhl8Rkjhl5Zm4IKMq4IW_ckwsJQUlabKQq5SkAMHOgALEZMu

   by León, Alejandro

   Actual, Volume 17, Issue 212, p. 88

   Journal Article : Full Text Online

2. Affective dissonance, neoliberal postfeminism and the foreclosure of solidarity

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1bb9MwFLbK9sLLxE2isCE_QBES1hLnpHaeUBmrKm4TqHvgKUpsR5o2FrR2SPwQ_i_nxM6FbqAhXtLWdaw2_mx_587Y02pK0Z4KBGRTKyCRWugsNSIqcTMsZKW1bYKT9dsv8tNnPT8YjX62sTCNLzPJ56uwVK6JcqB4VfJv_NFWmHp1EgzrpF-K4jfH7w5zlH2Xk-84s4PPOOntCpw8S-b_ixdsQ8RQ_O0_YKYbFBvwPSIHr4gdvN4IPbPGzYO8ishgX1NWjkbzee7qxiGF4rfq1bryqUm-dn6YSIGdOatJ7Ug0FH_kiS2oPt6QBIeEJiGKstPpvy9OG7M9IJO_6CNGhnoJPOtar7ihQexa1SNuziDI3u3PIN-GzEZI5cuaXN2ZOwHZb7Nx2Gb9iR37hCdXDwMV0gmAalLfKSKwcX_wde6IoXO-2fUW25bEoLbY9mz-4ei4M08hjQMftub_SG__3t8c43e-0wsxrd-gDFRmeYftBBmEz_y032Ujd36P7TS1TJ-vePAsvc-OOhDwHgQveQ8BPoQARwhwnFA-gACvK95D4AFbzg-XBwsR6m8Ik0TZWjhjkd9FdkoJLCMoikhDBiaxyHaiVCI31YXJSkqKF9tYOZVkpUN6KiGFKjHJQ8YhtZV1slRpYVG2NmUBpapQqJAOKg0wZvvt08lNSEpPtVHO8jjkod98nmP2orvjm0_I8pe-u-0Dz8PiWuUxCkRkK46SMZvQJAy--sM4j27a8TG73S-FXba1vrh0e77MyJOAIXx9vVh8nP0C1m6Q5A

   by Lakämper, Judith

   Feminist Theory, Volume 18, Issue 2, pp. 119 - 135

   Journal Article : Full Text Online

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3. The Funny Business of Being Tina Fey: Constructing a (feminist) comedy icon

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV1LSwMxEA6iFy--wVqVCCJ62Npms03qzYpLURGUevC05AlFrULrof_emc2mdA8q6DHZZDebTGYmk5lvCDn2XYz2FDzhva5NeMpkInuZSdoamKFiXkpbBifLm2f28Cjzq4UofnSrxDO0D0ARJa_Gza30JHrEnWO0UFsIgY5ZrCU4YooAE8aTDRD0ML-bXyOAeExjeBH2iLFz37ykJptqyKV1Tp1W4idfJy9x4KXvdSv4ngQrRM0pO6I7_ucfN8hapaXSy0BWm2TJjbdIs6oeTd7oCa1Flky2yS0QHM1BHZ7R6ExP3z3tO5CNdDgaK5q72QXFBKEBshaqFT31AdxkekYN4gDMKFDmeIc85dfDq0FSZWpITNqV00TzlFudWW2AIKRTynY0884a6Yw0QgDbaAsPmiJ3aEFxkjPjGVPaMa2tk-kuoTyz3kJZZMrCMcxoxbXwoH8yx73kvEHSuDiFqfDLMY3Ga9GpYE7jnBU4Z0WYswZJ5r0-An7HL-3l4roX09Ju4kOSkyL9uet-pJGiYgSTAvTtHkPYPxj_0fwxbGG8l1Fj9_6JbTi6-_REtvf3rzfJKpR4aR1i-2QZltIdhAwXh2SlPxjcXx6Wm-MLMvQKuw

   by Lauzen, Martha

   Feminist Media Studies, Volume 14, Issue 1, pp. 106 - 117

   Journal Article : Full Text Online

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