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1. What’s in a Bantu verb? Actionality in Bantu languages

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV09T8MwELVAXVj4Fl8FeUBspont2I5UtSoVEUJdQEWIqYodm3YpoJSBjb_B3-OXcE6cAgsDs2-I7ee707vLPYROLYTcWOYJYUpzwiHGEOWoIlK7mMepdtp6TvdeXT_Qm1uVDQPhVoa2ysYnVo66eDKeI-9AmgBgA8RF_ecX4lWjfHU1SGisohbzBQXAsxynyypCklQqaJAS-IIvo6FMCSHcd9U_Lt4AI_4fnijIlf10xVV8yTbQrPmyqrn6vG4uqWmGX13XzfjG_29iE62HJBQPatRsoRU730Z7o0BdlvgMj5bTlssdlPn53p_vHyWezXGOu9PeBdzHa7cz7WF4CbqPB6amFCGl9zaNBW7Y0NLb7qK77HI8vCJBf4EYzviCUJ0LqrSi1gDehGa08NPEckm1iKyKRWIKwICNrIicUxD7qcip09Q6bRwkdvsIc6dSkwquTcK5NVRDgsIUtwVzaZJH8gC1m5OahNdTTr6P6fDv5SO0Vt-gJFS0UcvBsj2udR1OKix8AbNAvzw

   by Persohn, Bastian and Crane, Thera Marie

   Linguistic Typology, Volume 23, Issue 2, p. 303

   Journal Article

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2. Emphatic Interpretations of Object Marking in Bantu Languages Emphatic Interpretations (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1LSwMxEB5EL17EF77LHMTb0t08mgRKwS4tKgtqEYqnZbObUC-1uPZH-K9NNtuiJw_2mBxmyEfINzNMvgG4No5yE1HwiErNIuY4JpKWyEhom7BEaauNr-lO5cMreZ7Icfpj1JfvCQvywAG4biGlESrWipvSsYmVVdUjrBRclaqImy_rxGXlq2QqvME8EbQVZFQR5X4q7kqRn7TUMd6HvTbmw9vg6wC2zPwQTrK2UljjDWZrceP6CL5GDmEvpIq_OwJrfLf4qH3hBP0XG0c6-DbH_mwwdPAscW2w350NcBNGjuF-PHpJ7yJ_qnwRhClyLxXdbDgA8xbA_C8A6Skgs9KtekyXnDFTEu3CCCqZqahVvIjFGQz_7-h8E0YuYJe4sCJ0gV3C9ufH0lyFQQ4d2Ekn2dO001yFb-kiwBE

   by Kang (Franco) Liu; Justine Sikuku; Crisófia Langa da Câmara; Michael Diercks; Hannah Lippard and Madelyn Colantes

   Studies In African Linguistics, Volume 52, Issue Supplement 14.

   Journal Article : Full Text Online

3. When ‘father’ means ‘husband’ and ‘sister’ means ‘cattle’: lexicalization of kinship terms and (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1Nb9QwELVKe4EDLR8SC2XlA9fsxh_ZOKgqYktXCIkKqhWIU2R77e5KkF2a7oFbfwbc-G39JZ1x7Ja9wIVTpIkTJcrLm_F4_IaQFw5cLit1kQllZCbBx2TKc5WVxjPJKuONw5zuZ_XuC_94qiZHW-Qk7YXBssrEiYGoZ0uLOfKhgMi_RCkS-Wr1PcOuUbi6mlpo6NhaAVdoikrdITsMQhls5fCevbnNuQjwh6MybeRR-ZALwWDaLWCiyOWAi2IkcS_tHy4qKPlvErWI3meyS36k5w6l14Ou9KRLQmzUZCdxx__3invkfgxZ6esOYw_IlmseknufFu26s7aPyG_g9IZeXf70IaC8uvxFvzlwgmiar1ujmxna4ICWFqG1OcgGLWUwvaSo0AnAiftD6dJTLOOZL1YUvUgbbgJ0iWkCihF3SxcNnUKIqxuAOj2YH44BLWuaMrHtwXB--JhMJ8fTo7dZ7P2QWVHJi4w5D0wjmLUjjhruvsIlT66ZldIqXfmca6Edt4XlMM1mGmV_cuELbpQBFn9CqPSqstVIGltI6Sw3EBsJJd1M-KrQedkjMn3m2kZBdOzL8bVmUTc1oaNGdNQRHT0yuLls1SmC_OuCMWLoZjAKegfD8vysjvxQi5kSTvO84I5LLbVBESYeOmpWyljeI_sJM3Vkmba-BczTv59-Ru7iE3UClftk--J87Z537S_6ZGd8fPLhtB-yEf3ww1wDi6smpw

   by Lusekelo, Amani and Mpobela, Lea

   Cogent Arts & Humanities, Volume 11, Issue 1.

   Journal Article : Full Text Online

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