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1. Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV07T8MwELZ4LCxAeYhCQR1Y3Sa2k9gjqogQYgBUhJgs27GnCqE2_H_OL6BCqEsUWbokPp993zmf7xC67qqCKlNy3BFqfIDisKp0jWsD2FR4wBxKsrzy-zfy9MzbWSLRrBKtMvACw198AEh6YaeMA-wQHCLzbfAv0XTzckthqqdTjyWG4IPkYzq8mPo23-QZXGLi08KIACV_HNBaetJMSfyzLAdf0x6gx_yVgWg9iUSTuOWwxsDOqRw3dugQ7SfcOb6JhjJAW_b9CO2GKs_HaNCCFPiwcb9UXeRwnaCX9nY-u8OpWAI2tC56rLlTBGaUg_4qqjXccS4qRy34qZprWmmiGqcBjxBhlSsFCFgD-MR1NVOUnqFxqZRwjhSUNQWzoSaHbYSzuuCMNYYOEcuqkyalEPeVLBayTJlGs8al17hMGh-iybfYR8yhsUlA_B4X2YfNCxcrjUi6QfY0qPv7TVnXQzTKoyrTPF1JQisGQS-sYuf_yV2gPf_8QHJkI7TTLz_tZSwdcRUsEa7z9uELww_TfA

   by Rodger, Dianne

   Ethnomusicology Forum, Volume 28, Issue 2, pp. 217 - 240

   Journal Article : Full Text Online

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2. Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene: Constructing (...)

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnZ3NTtwwEIAtyl6qSvy1Usuf5sDVbGI7cYIQiL9VhAQC2qrqCTmOLXLJUu1y4MZjwBPwXjwJM06iLRcO3JKxEiUaezwzHvtjbKtKImlsnPFKSEsBiucmKVOeWvRNc3KYA5LlT3b6V1xeZaOjLuE26coqe5sYDHU1tpQjH-LUgpZTaS33b_9xokbR6mqH0PjEBlKmWsyzwWFRnB_MQi4dUIgYNSguRCz7PTxZNCQZiTBGFCjSsdKRfmuRRTfNjBZZ3X9gqLHebmtM2mzDm-Lr_hTHj__LElvofFE4aDvPMptzzQr78h864X6FDQII-it7PnY-sCSAkmpUYmTRf4e6AbyDs7qigRBNYPdmb5Y-gaK-3R3e7HGUFuNwCT8tWtcdIFBoe3QtvtI0FZyZupm2uAp4eXgMPCbactJULw9PQD7x3QTMFAzQrhUYe0DTRhX19MBFwJARh-8b-z06-XVU8A7ywC1Gx1NunCxlqkqlK-FSI9G_8XGlMx-n6FykmSpdqoynFeLYS-GTxCS5M6a0mVYm1-I7g9iY3HsRSVShcoEl4nTuXRllSmkrf7D1Xg_X3RCdXM-UsPp-8xr7TF2ECs9itc4GHpvdRguP2Ow63CtNj-Gq

   by Rodger, Dianne

   The Asia Pacific Journal Of Anthropology, Volume 21, Issue 2, pp. 159 - 177

   Journal Article

3. Lyrical Referencing in Australian Hip Hop

   http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV3rS8MwEA-6ffGL-ALfBNR9cNQlfWwtjMmYK2OKqEzET6Xrg1XZLJs69t97eXQNTmHil9KGJiG5y-UuubsfQqehRQw_oLYW6kbADJRY861-VasGoJs6TGHmkCxPdvdZv3-w3Za8imGxMNyXmdnnE7lUfohyYPGqzL9xliFMXSbyYp2dLxF69Xjd9sD27ZU-gbLKNxA9W4GlM8P9L79AGXAMi7_9A8_MG4UCeAfOgSfwDjyX4p6bmUgdkuWhlZEvyslIJ0mZi80vyi1PxFpOOTrYuDxkYNK568_UH4Vv08lrokmUY-6qq54_UA6eIEKEhZjSiaVrpkPE7UqklklhKOVsVWEnXZGZVGacFdsvFUg-C5Ldsli0wss0HV6ATmHSfP_K7uy_bWtzZ0Nm5kBtj9X1eN1VVNSZZlRAxabbvbvND-XAXnY4RN98VDKlLTRQyTtXlBiRWoxrI70NtC5nGjcF5TbRSjTaQkUO2r2NiKQeVqiHkxGuDxo5ATEQEAMB65VBYwedu-1eq6Nl3XmpSELiLY7K2EWY-r4TxzoxzBoxI46qEtWcOOoT2zRrgbGHTpZoaX-pvw7QWs4Ph6jwPv6IjgSmxrGc2C9Db0NV

   by Lewandowski-Cox, James

   Journal Of World Popular Music, Volume 6, Issue 2, pp. 151 - 172

   Journal Article : Full Text Online

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