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    1. Modernist Music for Children

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV1LS8QwEB58XLz4FlfXpQev3W2TTB5HWVxkQVBRxFPJtOlBRETX_29eFUTEa6GQdKYz38x8yQdwroyhXrqu1FyHIzkCS3LYlgot-vRvZEeh3_Gol0_s9k4v5plE85FplZEXGKf4HiDRi5t5UC18HPWV-brPL8l1v8NtYErERkqYRTJp8iwSGc6W174AZL4uVVMxFUFcJXEOf8XdmEwWO3AzLCMyqaeJSZJ6Cj8o1sNdjf-ueBe2M7AsLpIn7MGae92HzSjjfADjJHnmTVrEJ4WHqsU8n-M-hIfF5f38qsy6COUzq3BVOk6SLBNUiw4JnQfILUOrrRBGVLojo9BIa3rrDGM2QIa-lr1FCj8sKn4MBUreGsdsrXoteKdMS0oLban1eKriNIKjuKnmLV160Qw7GsF4-HZNdvePhgnJaykrzk_-eu8UtoItEg9uDBur9093lhQYJmHErifRrF_Hc5wa

      by MILLER, DAVID H.

      The Journal Of Musicology (St. Joseph, Mich.), Volume 37, Issue 4, pp. 488 - 517

      Journal Article : Full Text Online

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    2. Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s (...)

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV3PT8IwFG5EL178bcQfpIkenTC6rm1CSAhxMV5EgkFPpO26YIJDATHxxP_gyX-Pv8S3dUM8qIftsPRlTd_L3rf2e-9D6IwJoSLfhA4nPCnJ8aijDNUOo5JC-hd-qJL9ji6_fqjetnnQzEg044xWmfIC01N8AEhqYMpV-KJC3PACKkB-saH7zeNglYXooO_6LO9BKkj5aTKG672SlMcuZR1LPLQVbZb1mCaTYBO18mmkTOoLyySxewo_KNZ5r8Z_Z7yFNjJgiRs2ErbRiol30Foq47yLXjpL-HQY42ZfPsbjc7xwztSApZHwSMYhlriV78HjYYQDsMNgjGv9eiPRHMZdcMoons8-x7Vyv447b2YwNfPZR9LZG6fv3EN3wWWneeVkYguOhiw9cTxmXBL6xqeECoABJhIeSwRgXBcwWmRIqKTUNPl9UlXBDaFSJ0JwOqRahhVNDhCmPtHCVKXLIu6RkAmtGPe4VBpAWoWoIjrNvdB7ts00evYQnPTAVz3rqyLaT9dzMSRfzCIqgcf-sDz8zfIIrQPQybhhx2h1Mno1J1b-oZRGE9zbN_dfl0zL8w

      by MOSELEY, BRIAN

      Music Theory Spectrum, Volume 41, Issue 2, pp. 218 - 243

      Journal Article : Full Text Online

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    3. The Perception of Frozen Intervals in Anton Webern’s Concerto for Nine Instruments, Op. (...)

      http://duke.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV1LS8NAEF6sXrz4FuujDOhFMDbNJtkNlEIpFhW0VZTqqexuNlTQtjQ99eTf8O_5S5zsJlXBxyG5ZAeWmQkz2XzzfYQcsSiSSahjh1OejeT4gSN1oBwWiADLfxTGMjvv6PHLR-_mlrdbOYgmzWGVBhdo_uJjgySfddVjNawznJZICeuLTd1PHAdz56KDYS1kBQdpRKsv0xSvmZspenypOhZ4aCfaLDOUKSbtVdIttmGQ1KcWSWLPFL5BrAuuxn93vEZW8sYSmjYT1smCHm6QJSPjvElSzAbozjEsMEqgPRnN9BDMiSBmWwpPQ6gPGs1MUxh66PTJ8P31La1XBw1oZbONk-kIsMOFa-xL4cIQz5rxuBPojE_B80_gbvA0ieFqZCjIp1vkvn121zp3crkFR2GPMXWk8twkm8wVNeEJTrWgfsISlXBfayokvulaaU-5UkQhj_GhK2NOaRLIMGJouUMgCKmKtCdqDK1ozCIlGfe5kArbNJfKMjku4tBXOQl5poXx3Lc_w2kfY9a3MSuTw_nasaXe-HHVtvH-fEnh-jKpYHz_sNz9zXKPLHvZV7XB5-yTRfSnPrBiERWTe3i_7Tx8AIT525E

      by BROWN, JENINE

      Music Theory Spectrum, Volume 42, Issue 1, pp. 38 - 53

      Journal Article : Full Text Online

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    1. Anton Webern.

      https://find.library.duke.edu/catalog/DUKE000617897

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    2. Anton Webern.

      https://find.library.duke.edu/catalog/DUKE002022110

      Book

      Check Holdings for this item's availability Music Library, ML197 .R362 v.2 c.1

    3. Anton Webern;

      https://find.library.duke.edu/catalog/DUKE001391120

      Einführung in Werk und Stil.

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      Check Holdings for this item's availability Music Library, ML275.5 .K668 Bd.5 c.1

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    1. Pro mundo-pro domo : the writings of Alban Berg

      https://find.library.duke.edu/catalog/DUKE006509639

      edited with commentaries by Bryan R. Simms.

      Archival and manuscript material, Book

      This item is currently Available Music Library, ML410.B47 A513 2014 

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